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In her provocative new book Rednecks, Queers, and Country Music, Nadine Hubbs looks at how class and gender identity play out in one of America’s most culturally and politically charged forms of popular music. Skillfully weaving historical inquiry with an examination of classed cultural repertoires and close listening to country songs, Hubbs confronts the shifting and deeply entangled workings of taste, sexuality, and class politics.

In Hubbs’s view, the popular phrase “I’ll listen to anything but country” allows middle-class Americans to declare inclusive “omnivore” musical tastes with one crucial exclusion: country, a music linked to low-status whites. Throughout Rednecks, Queers, and Country Music, Hubbs dissects this gesture, examining how provincial white working people have emerged since the 1970s as the face of American bigotry, particularly homophobia, with country music their audible emblem. Bringing together the redneck and the queer, Hubbs challenges the conventional wisdom and historical amnesia that frame white working folk as a perpetual bigot class.

With a powerful combination of music criticism, cultural critique, and sociological analysis of contemporary class formation, Nadine Hubbs zeroes in on flawed assumptions about how country music models and mirrors white working-class identities. She particularly shows how dismissive, politically loaded middle-class discourses devalue country’s manifestations of working-class culture, politics, and values, and render working-class acceptance of queerness invisible.

Lucid, important, and thought-provoking, this book is essential reading for students and scholars of American music, gender and sexuality, class, and pop culture.

• Sales Rank: #434693 in Books
• Published on: 2014-03-22
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .63" w x 6.00" l, .75 pounds
• Binding: Paperback
• 240 pages

Review
"This is one of the most intellectually stimulating books I have read in a long time."--Benita Wolters-Fredlund"Notes" (06/01/2015)

Rednecks, Queers, and Country Music is an intellectual tour de force that offers a nuanced exploration of the ways that white middle-class attitudes toward country music and white working-class modes of discourse have led to the marginalization of the white working class in political and cultural discourse.--Travis Stimeling "Journal of the Society for American Music "

""Rednecks, Queers, and Country Music"" is a far-ranging, multi-layered analysis, full of provocative insights, packaged in crisp, engaging prose"--John Hayes"Agricultural History" (09/01/2015)

"Rednecks, Queers, and Country Music" is a far-ranging, multi-layered analysis, full of provocative insights, packaged in crisp, engaging prose"--John Hayes"Agricultural History" (09/01/2015)

From the Inside Flap
"One of the most important scholarly discourses on country music of this decade."
—Jewly Hight, Wondering Sound

"The implications of Rednecks, Queers, and Country Music go far beyond the social and sexual politics of a popular music form. . . . With a light and confident hand and an eye on historical context . . . [Hubbs] makes a strong plea for the redneck and the queer—not necessarily always different people—as significant and positive actors in American life."
—Brian Morton, Times Literary Supplement

"Academics don’t pay enough attention to class. . . . Nadine Hubbs . . . makes the case for paying more attention . . . , suggesting the potential for real political collaboration between the working and the middle classes."
—Kreg Abshire, New Books in Pop Culture

"Opens up a conversation about class that’s long overdue."
—Heather Seggel, The Progressive Populist

"An important book that is . . . as much about moral questions as it is about political, social, and cultural concerns. Our challenge is now to act upon the kind of fortitude and consciousness of resistance the author finds at the heart of working-class culture."
—Ian Peddie, Popular Music and Society

“No book in 2014 made me think more than Nadine Hubbs’s Rednecks, Queers And Country Music, a vigorously written study . . . whose argument is as tight as a groundhog trap in Tennessee.”
—Books of the Year 2014, The Herald Scotland

"It has been a long time since a scholarly book gave me this much sheer pleasure. Hubbs's dazzling discussions of songs and music history are like candy, and I consumed them eagerly. The focus on class is long overdue and entirely welcome. This book exemplifies a revitalized and analytically potent resurrection of class studies, and one that is rich, embodied, and granular. The bibliography and literature reviews are themselves a breathtaking contribution, but that pales before the book’s own innovative claims and arguments. Rednecks, Queers, and Country Music vaporizes a whole collection of received assumptions about the relationships among class, musical cultures, and politics—most specifically, the pervasive characterizations of the middle class as queer tolerant and the working class as homophobic. A theoretical tour de force."—Gayle Rubin, author of Deviations: A Gayle Rubin Reader

"In lucid, economical prose and in eloquent detail, Nadine Hubbs describes the cultural poetics of working-class subjectivity. She treats country music and the communities of taste (and distaste) to which it gives rise as rich sources of information about the symbolic language of social inequality in the United States. One of her brilliant insights is that toleration of homosexuality has gone from being a symptom of working-class pathology in the early twentieth century to being a manifestation of middle-class enlightenment by that century’s end, while homophobia has been transformed from an ostensibly reasonable and justified middle-class attitude to an allegedly bigoted working-class one. The result of this analysis of changing social attitudes is a major reconceptualization of the history and politics of sexuality in the U.S." —David Halperin, author of How to be Gay

"Stunning! With this serious and sophisticated examination of musical culture among working class people, Hubbs gives us another myth-busting book about American musicality's entanglement with American gender and sexuality." —Suzanne G Cusick, Professor of Music, New York University

"Rednecks, Queers and Country Music is a persuasive call to hear country music in totally new ways.  Hubbs boldly and baldly identifies what is really at stake when we imagine country as the sound of bigotry, whether racist, sexist, or homophobic. She compels us to listen anew for the genre’s unexpected echoes of distinctively white working-class gender and sexual identities and for its persistent reminders that all sorts of marginalization resonate on related frequencies. Her arguments will upend contemporary orthodoxy about the politics of country music." —Diane Pecknold, author of The Selling Sound: Country Music, Commercialism, and the Politics of Popular Culture

About the Author
Nadine Hubbs is Professor of Women's Studies and Music, Faculty Associate in American Culture, and Director of the Lesbian-Gay-Queer Research Initiative (LGQRI) at the University of Michigan; she is the author of the award-winning book The Queer Composition of America's Sound: Gay Modernists, American Music, and National Identity (UC Press). 

Most helpful customer reviews

3 of 3 people found the following review helpful.
presenting a great deal of evidence suggesting that working class America is ...
By Sarah Peller
"Rednecks" is musical history that tells the story of the cultural creation of the powerful American middle class (the "narrating" class) using the concept of taste, detailing how although the middle class has become musically omnivorous of late, distaste for country music in particular defines this cultural group against its nemesis-reflection-- the white working class. Hubbs describes how the latter group, lacking the power of narration, has been characterized in the dominant image as a bigoted, ignorant mass dumbly voting against its own economic interests due to an unhealthy obsession with conservative social exclusionary causes including racism, sexism and homophobia. She explores country music lyrics, presenting a great deal of evidence suggesting that working class America is not inherently homophobic, but that as middle class cultural taste has changed to include formal acceptance of homosexuality, this process has included pinning homophobic ideas on the working class. This insight may be shocking to middle class readers who with the best of intentions have likely absorbed many of these social constructions as truths, thinking of mobs of ignorant working-class Americans as the "problem" with America, the ones voting Republican, the group maintaining all types of blind bigotry, while enlightened and educated middle class members appreciate all the world's cultural forms except country music, of course, and the lead good fight against bigotry in any form. Hubbs destroys this image of the heroic middle class, not only by pointing out how mythological the stereotypes are, but also showing just how the narrating class maintains systemic bigotry while scapegoating voiceless groups. As if that weren't enough rich history and hegemony-busting insight, Hubbs also takes the reader through a fascinating class-based and musical history of being queer in America. If you are interested (and how could you not be?) in music history, the formation of the social classes in the U.S., the way dominant cultural narratives are formed and maintained, and/or the histor(ies) of queer America, told through class- and race-based lenses, you will find this book a fascinating read. Although it is an academic book, non-academic readers will find its broad insights and dense knowledge presented in an accessible, enjoyable manner.

2 of 2 people found the following review helpful.
Extremely well researched, with many valuable insights. Very ...
By Louie Edmundson
Extremely well researched, with many valuable insights. Very dense in style, almost but not quite crossing the line into sociological jargon.

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Email from Ngeti is a captivating story of sorcery, redemption, and transnational friendship in the globalized twenty-first century. When the anthropologist James Smith returns to Kenya to begin fieldwork for a new research project, he meets Ngeti Mwadime, a young man from the Taita Hills who is as interested in the United States as Smith is in Taita. Ngeti possesses a savvy sense of humor and an unusual command of the English language, which he teaches himself by watching American movies and memorizing the Oxford English Dictionary. Smith and Mwadime soon develop a friendship that comes to span years and continents, impacting both men in profound and unexpected ways. For Smith, Ngeti can be understood as an exemplar of a young generation of Africans navigating the multiplicity of contemporary African life—a process that is augmented by globalized culture and the Internet. Keenly aware of the world outside Taita and Kenya, Ngeti dreams big, with endless plans for striking it rich. As he struggles to free himself from what he imagines to be the hold of the past, he embarks on an odyssey that takes him to local diviners, witch-finders, Pentecostal preachers, and prophets. This is the fascinating ethnography of Mwadime and Smith, largely told through their shared emails, journals, and recorded conversations in the field. Throughout, the reader is struck by the immediacy and poignancy of coauthor Ngeti's narrative, which marks a groundbreaking shift in the nature of anthropological fieldwork and writing.

• Sales Rank: #834235 in Books
• Published on: 2014-09-05
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .63" w x 6.00" l, .0 pounds
• Binding: Paperback
• 240 pages

From the Inside Flap
"Part memoir, part ethnography, and part literary epistle. The authors recount a fabulous tale of sorcery, redemption, and friendship in which the reader comes to know fascinating characters, especially the coauthor Ngeti. Smith and Mwadime use a variety of narrative strategies to capture the complex and dramatic realities of contemporary African social life much more profoundly than could a traditional ethnographic text."—Paul Stoller, author of The Power of the Between: An Anthropological Odyssey

"Very few ethnographies capture so well the frustrations faced by many cosmopolitan sub-Saharan Africans. This poignant account of a cross-cultural friendship portrays a common yet extraordinary man as he negotiates the shifting forces of inequality, religion, kinship, and global modernity. Conceptually sophisticated yet vividly human."—Janet McIntosh, Associate Professor of Anthropology at Brandeis University and author of The Edge of Islam: Power, Personhood, and Ethnoreligious Boundaries on the Kenya Coast

About the Author
James H. Smith is Associate Professor of Anthropology at University of California, Davis, and the author of Bewitching Development: Witchcraft and the Reinvention of Development in Neoliberal Kenya.

Ngeti Mwadime lives, works, and looks for opportunities in the Taita Hills and Mombasa, Kenya.

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0 of 0 people found the following review helpful.
Four Stars
By Amazon Customer
It was funny an a great insight into the life of ngheti

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This book explores the unintended consequences of compassion in the world of immigration politics. Miriam Ticktin focuses on France and its humanitarian immigration practices to argue that a politics based on care and protection can lead the state to view issues of immigration and asylum through a medical lens. Examining two “regimes of care”—humanitarianism and the movement to stop violence against women—Ticktin asks what it means to permit the sick and sexually violated to cross borders while the impoverished cannot? She demonstrates how in an inhospitable immigration climate, unusual pathologies can become the means to residency papers, making conditions like HIV, cancer, and select experiences of sexual violence into distinct advantages for would-be migrants. Ticktin’s analysis also indicts the inequalities forged by global capitalism that drive people to migrate, and the state practices that criminalize the majority of undocumented migrants at the expense of care for the exceptional few.

• Sales Rank: #630875 in Books
• Published on: 2011-08-29
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .80" w x 6.00" l, 1.15 pounds
• Binding: Paperback
• 312 pages

Review
"Illuminating. . . . An important contribution to the study of the struggle for rights by migrant movements in Europe."--Catherine Lloyd, Edinburgh, Scotland"Signs: Journal Of Women In Culture And Society" (02/25/2013)

Illuminating. . . . An important contribution to the study of the struggle for rights by migrant movements in Europe. --Catherine Lloyd, Edinburgh, Scotland"Signs: Journal Of Women In Culture And Society" (02/25/2013)"

From the Inside Flap
"Casualties of Care is a well crafted, intelligent and carefully argued study of the social and policy effects of a seemingly benevolent set of 'humanitarian practices' used in the French immigration and asylum processes. One of the leading anthropologists of humanitarianism, Miriam Ticktin is well placed to write this definitive study, having undertaken nearly ten years of thorough ethnographic research in France. Her research findings draw from ethnographic interviews and participant observation as well as broader, more structural data on the movement of foreign labor within the French economy." --Richard Ashby Wilson, Gladstein Chair of Human Rights, University of Connecticut

"Ticktin cuts to the heart of contemporary concerns, speaking provocatively and incisively about humanitarianism and security through the topic of immigration." --Peter Redfield, Associate Professor of Anthropology at the University of North Carolina, Chapel Hill

About the Author
Miriam Ticktin is Assistant Professor of Anthropology at the New School for Social Research.

Most helpful customer reviews

3 of 3 people found the following review helpful.
A must read!
By Amazon Customer
This is a courageous book! With care and compassion, Miriam Ticktin's ethnography of humanitarian aid in France dismantles our most cherished assumptions about care, compassion and sympathy as the political motivations that govern immigration and health care policy in France. By implication, Ticktin's book unravels how the sentiments of care and compassion have become forces of exclusion in the daily struggle to aid the most disenfranchised and disregarded inhabitants of our world. In no uncertain terms, this book asks us to rethink what is really human about our humanitarian impulses, and what has become uncaring about our attitudes towards suffering. Anyone interested in international politics, health care, ethics, cultural anthropology, cultural studies, democracy, disability studies, immigration policy, refugees, gender studies, NGOs, and the medicalization of care will find this well written, well documented, and well argued book essential. [This review is based on the Kindle version of the book].

Davide Panagia
Canada Research Chair in Cultural Studies

1 of 1 people found the following review helpful.
superb
By Reader One
The concept of human "rights" too often is understood as a self-evident good. Ticktin offers us a new way of understanding some of the problematic uses of this concept, and the the result is a highly readable and insightful book. Highly recommended!

0 of 0 people found the following review helpful.
Five Stars
By Shezray
A very honest and well written book - extremely informative and blood boiling read! Thank you

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What do Americans think “race” means? What determines one’s race—appearance, ancestry, genes, or culture? How do education, government, and business influence our views on race? To unravel these complex questions, Ann Morning takes a close look at how scientists are influencing ideas about race through teaching and textbooks. Drawing from in-depth interviews with biologists, anthropologists, and undergraduates, Morning explores different conceptions of race—finding for example, that while many sociologists now assume that race is a social invention or “construct,” anthropologists and biologists are far from such a consensus. She discusses powerful new genetic accounts of race, and considers how corporations and the government use scientific research—for example, in designing DNA ancestry tests or census questionnaires—in ways that often reinforce the idea that race is biologically determined. Widening the debate about race beyond the pages of scholarly journals, The Nature of Race dissects competing definitions in straightforward language to reveal the logic and assumptions underpinning today’s claims about human difference.

• Sales Rank: #7259692 in Books
• Published on: 2011-06-24
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 1.00" w x 6.00" l, 1.20 pounds
• Binding: Hardcover
• 328 pages

Review
“Well-written, well-researched, and well-argued, [it] does an excellent job of tracing out the power of knowing how race is defined.” (American Journal Of Sociology 2012-07-20)

"Researchers working on race in the United States should certainly read this book." (Ian Vincent McGonigle Journal of the Royal Anthropological Institute (JRAI) 2013-05-01)

About the Author
Ann Morning is Assistant Professor of Sociology in the Department of Sociology at New York University.

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10 of 11 people found the following review helpful.
Only In America
By Larry Lundgren
Every American has at some time or other been asked to place a checkmark in a box indicating his or her "race." (Race in quotation marks to make clear my reservations about the concept). Ann Morning, the author of The Nature of Race reports her own experience noting that she has, on different occasions, chosen "African American", "Black" even on one occasion revealing to a nurse that her ancestry is African, European, American Indian, and Asian.

The subtitle of the book is-How Scientists Think and Teach About Human Difference. Her goal in writing this book:

"The fundamental objective of this book is to convey how scientists' concepts of race are transmitted to the public through formal education and other institutions."

The book meets this stated objective very well indeed, dealing only with race, thus the five-star rating. In Chapter 3 (Textbook Race) and Chapter 4 (Teaching Race) we learn how concepts about race are first presented in high-school-level textbooks and then by college professors in lectures, discussion and readings. The author is most troubled by the discovery that the presentations are predominantly "essentialist" rather than "constructivist". I am most troubled by the discovery that both textbooks and college professors display considerable difficulty presenting any consistent scientific picture of race. The quotations from two anthropology professors in the same department (Chapter 4, p. 103) illustrate this difficulty. If professors cannot do better than this, what can we expect of their students?

Chapter 4 (Learning Race) deserves close and critical reading since it tells us (intentionally) not only how college students conceptualize race but also (unintentionally) what non-scientific factors the author believes should determine how we are to conceptualize race.

The author is be deeply troubled when students "cast race as ethnicity" and expresses her rejection of the students' approach in thoughts such as the following: "This shift to ethnicity defuses the topic of race in several ways..." "In this way, it (casting race as ethnicity) avoids questions of power, inequality and contemporary racism..." This position appears in many places in the book; "conflating race with ethnicity" is absolutely unacceptable for the author. It appears to me that suddenly we have left the domain of how scientists think about race and have been told to consider a non-scientific factor, the shifting from the "problematic realm of racial difference" to "the less charged discussion of ethnic identity".

My original interest in the literature of American racial classification arose from efforts to find out why American demographers and sociologists so readily base their research on the unscientific categories used by the Census Bureau. Anyone this who has puzzled over this practice (hundreds of New York Times readers who commented on articles by Susan Saulny in 2011) will find Chapter 6, Race Concepts Beyond the Classroom to be of particular interest. The author does very well in presenting and commenting on the innumerable inconsistencies and conflicts in the designation of races. She reminds us that the Census Bureau's race categories are not "scientific" but are shaped by the input of "demographers and other social scientists." Given her presentation I am forced to ask in just what context the author thinks these racial categories are useful or usable. Given her reports of her personal experience with medical personnel in the United States and Italy it appears that she does believe telling a nurse or physician (Only In America) which category (African American or Black) is medically valuable. My experience reading medical studies of birthing issues faced by African women in Sweden tells me that stating a race is of little or no value, presenting details about ethnicity is invaluable. Professor Morning apparently does not agree with my view. Space does not permit explaining here.

Her commitment to the use of the word race in every possible setting is the last thing to which I wish to call attention. I found in tens of sentences that I could easily substitute another word for her chosen word - race. This sentence from the conclusion illustrates this commitment and her belief that we must continue to focus on the race of each individual:

"...even if I personally cannot tell what race my neighbor is just by looking at her, this does not mean that she does not have a race..."

Why this insistence that each individual must have a race? I simply do not understand this. I meet almost every day individual refugees from just about everywhere. These refugees, for example Somalis or Kurds or Assyrians, insist on describing themselves in terms of ethnicity or nationality, never in terms of race. Knowing the details of their ethnicity can be important (see note above on birthing issues) but knowing their race is of no interest, either to me or to the Swedish government and medical care system. Only in America is race of such importance.

I recommend this book wholeheartedly to anyone who wants to learn how various groups of people living in the United States must deal with being placed in a race box instead of being treated as an individual with, perhaps, an ancestry that is African+European+American Indian+and Asian becoming, strange as it may seem "black" in the race box.

Read the book and then ask the American sociologist nearest you why racial terminology is so heartily embraced by them.

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Why has the West developed and modernized, while the Muslim world has lagged behind? Why has democracy not found a hospitable home in much of the Muslim world? Why have the opponents of innovation found their message so resonant with ordinary Muslims? Featuring essays by a multidisciplinary group of leading scholars, this volume offers in-depth analyses of the history, causes, consequences, and obstacles to innovation in Islam. Focusing on the ways and means through which the teachings of Islam have been produced and perpetuated over time, the contributors investigate such areas as the arts and letters, jurisprudence, personal status, hermeneutics and epistemology, and Muslims’ perceptions of the self in the modern world. Innovation in Islam illuminates a debate that extends beyond semantics into everyday politics and society—and one that has ramifications around the world.

Contributors: Nasr Abu-Zayd, Adonis, Mohammed Arkoun, Walter Denny, Nelly Hanna, Sherman Jackson, Patrick Laude, Ziba Mir-Hosseini, Tariq Ramadan, John Voll

• Sales Rank: #6012187 in Books
• Published on: 2011-04-18
• Original language: English
• Number of items: 1
• Dimensions: 9.02" h x .75" w x 5.98" l, 1.10 pounds
• Binding: Hardcover
• 264 pages

Review
"Splendid collection of provocative essays."--"Islam And Civilisational Renewal"

From the Inside Flap
“In a clear and historically incisive argument, Kamrava and the other contributors indicate how the Islamic concept of innovation (Arabic, bid ‘a) is an essentially contested and adaptive concept. Since the time of the Prophet Muhammad, Muslims have vigorously argued about its meaning and how to apply it. This incisive collection of essays range far beyond the confines of theology and jurisprudence, integrating ideological concerns with the exigencies of mundane ones, as well as crossing the sectarian divide of Sunni and Shia.”

—Dale Eickelman, author of Muslim Politics



"The economic and political underdevelopment of the Islamic world is commonly attributed to conservatism rooted in Islam. This splendid collection of provocative essays addresses the issue from several different perspectives and in various contexts. Collectively, the essays provide a broad introduction to the topic of innovation in Islam, both through what they teach and what they invite the reader to pursue."

—Timur Kuran, author of The Long Divergence: How Islamic Law Held Back the Middle East



“Muhammad brought new ideas and practices to the monotheistic tradition, but Muslim scholars interpreting the Qur’an and ahadith sought to squelch ideas that smacked of innovation. Such is the conventional wisdom. But Mehran Kamrava leads a stable of distinguished scholars in demonstrating persuasively that innovation has never ceased to mark the Islamic tradition. Indeed, the greatest modern innovators may be those Islamists who denounce innovation! These powerful essays overwhelm the conventional wisdom.”

—Robert D. Lee, author of Religion and Politics in the Middle East: Identity, Ideology, Institutions, and Attitudes

About the Author
Mehran Kamrava is Interim Dean of Georgetown University’s School of Foreign Service in Qatar and also the Director of the School’s Center for International and Regional Studies. He is the author of The Modern Middle East: A Political History since the First World War (second edition, UC Press) and Iran’s Intellectual Revolution. He has also edited The New Voices of Islam: Rethinking Politics and Modernity (UC Press).

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This complete primer on San Francisco Bay is a multifaceted exploration of an extraordinary, and remarkably resilient, body of water. Bustling with oil tankers, laced with pollutants, and crowded with forty-six cities, the bay is still home to healthy eelgrass beds, young Dungeness crabs and sharks, and millions of waterbirds. Written in an entertaining style for a wide audience, Natural History of San Francisco Bay delves into an array of topics including fish and wildlife, ocean and climate cycles, endangered and invasive species, and the path from industrialization to environmental restoration. More than sixty scientists, activists, and resource managers share their views and describe their work—tracing mercury through the aquatic ecosystem, finding ways to convert salt ponds back to tidal wetlands, anticipating the repercussions of climate change, and more. Fully illustrated and packed with stories, quotes, and facts, the guide also tells how San Francisco Bay sparked an environmental movement that now reaches across the country.

• Sales Rank: #982780 in Books
• Published on: 2011-09-01
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .63" w x 5.00" l, .95 pounds
• Binding: Paperback
• 352 pages

Review
"Absorbing all the information in this illuminating primer helped me appreciate the seething loveliness and churning forces that make up the place I call home."--"San Francisco Bay Guardian"

"A hugely informative primer on San Francisco Bay."--Georgia Rowe"San Jose Mercury News" (12/31/2011)

"It is enlightening to read these stories in one compelling narrative, helped along by the authors' direct and readable journalistic approach."--Dan Rademacher"Bay Nature" (10/01/2011)

"The general reader living in or visiting the bay area would find this book of interest. It would also be a valuable resource to those studying or working in coastal, estuary, or river conservation and restoration. . . . Highly recommended."--A. L. Jacobsen"Choice" (05/01/2012)

A hugely informative primer on San Francisco Bay. --Georgia Rowe"San Jose Mercury News" (12/31/2011)"

It is enlightening to read these stories in one compelling narrative, helped along by the authors' direct and readable journalistic approach. --Dan Rademacher"Bay Nature" (10/01/2011)"

The general reader living in or visiting the bay area would find this book of interest. It would also be a valuable resource to those studying or working in coastal, estuary, or river conservation and restoration. . . . Highly recommended. --A. L. Jacobsen"Choice" (05/01/2012)"

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“This is an eminently readable account of the natural and human history of San Francisco Bay.” —Rainer Hoenicke, Director, San Francisco Estuary Institute

About the Author
Ariel Rubissow Okamoto is the author of books and articles about San Francisco Bay, California water history, and national parks. Her articles have appeared in the San Francisco Chronicle, Bay Nature, and other publications.
Kathleen M. Wong is the science writer for the UC Natural Reserve System. Her articles have appeared in Bay Nature, California Wild, and Nature, and elsewhere.

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1 of 1 people found the following review helpful.
A 'Must Have' San Francisco Bay Natural History
By Laurence Klein
If you want to learn about the natural history of San Francisco Bay there is no better book than the recently released compilation by Ariel Rubissow Okamoto and Kathleen M. Wong. The breadth of content guarantees new information for even the most knowledgable on the subject. The color photographs contain some breathtaking images in their own right. Many other photos, tables and graphs help bring the impeccably researched text to life. This new resource, packed into a wealth of 335 pages, makes for joyful exploration and an excellent reference.

0 of 0 people found the following review helpful.
Beautiful and handy
By Hans U. Weber
The authors have produced a beautifully illustrated, informative, and very readable book about the San Francisco Bay in the past and its changes into the present. The movement to save the Bay from gradual destruction started in the early 60ies by three women: Esther Gulick, Sylvia McLaughlin, and Kay Kerr. In 1965 the San Francisco Bay Conservation and Development Commission was created. The pictures, diagrams, and tables are excellent and useful.

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Informative and entertaining
By Max
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This pathbreaking study links two traditionally separate genres as their stars crossed to explore the emergence of multiple selves in early modern Italian culture and society. Mauro Calcagno focuses on the works of Claudio Monteverdi, a master of both genres, to investigate how they reflect changing ideas about performance and role-playing by singers. Calcagno traces the roots of dialogic subjectivity to Petrarch’s love poetry arguing that Petrarchism exerted a powerful influence not only on late Renaissance literature and art, but also on music. Covering more than a century of music and cultural history, the book demonstrates that the birth of opera relied on an important feature of the madrigalian tradition: the role of the composer as a narrative agent enabling performers to become characters and hold a specific point of view.

• Sales Rank: #2079873 in Books
• Brand: Brand: University of California Press
• Published on: 2012-04-18
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 1.00" w x 6.00" l, 1.32 pounds
• Binding: Hardcover
• 334 pages

Features

• Used Book in Good Condition

From the Inside Flap
"In this bold, highly original book, Mauro Calcagno ventures into areas where no other scholar has tread. He explores the Petrarchian view of the self over a century-long arc from the early madrigal to the beginnings of opera, with Monteverdi's masterpieces taking center stage. A brilliant tour de force, From Madrigal to Opera proffers a remarkable new way to look at music, performance, and reception that rings true not only for the early modern period but also for our own age. A must read for scholars, performers, and lovers of early music."—Jane A. Bernstein, author of Print Culture and Music in Sixteenth-Century Venice



"The mini-renaissance of early modern music studies continues apace, and Mauro Calcagno's From Madrigal to Opera is its latest, particularly impressive installment. Drawing on methodological impulses from a variety of sources—linguistics, phenomenology, narratology, and, above all, performance studies—Calcagno pays close attention to the interplay of the abstract text and live performance in both early opera and late madrigal. Common strategies, rooted in Petrarch's poetic practice, indeed united the two genres. This book will shape the discussion of early modern vocal music in the coming years."—Karol Berger is the author of Bach's Cycle, Mozart's Arrow: An Essay on the Origins of Musical Modernity.



"In this pathbreaking study, Calcagno offers a new and dynamic interpretation of the relationship between Monteverdi's madrigals and operas based on perceptions of subjectivity expressed in Renaissance literature—the poetry of Petrarch in particular. Calcagno interprets Monteverdi's work as realizing a Petrarchan notion of the dialogical self, a concept that extends well beyond the early modern period to illuminate and enrich our own experience of virtually any vocal work in performance. This book should be required reading not only for those interested in music and text of the Early Modern period, but for anyone involved in performance studies."—Ellen Rosand, author of Monteverdi's Last Operas: A Venetian Trilogy.

About the Author
Mauro Calcagno is Associate Professor of Music at SUNY, Stony Brook.

Most helpful customer reviews

1 of 1 people found the following review helpful.
From Madrigal to Opera: Monteverdi's Staging of the Self
By Chester Alwes
A most interesting survey of the link between the madrigal of the High Renaissance and the foundations of Baroque opera! Calcagno makes an extremely cogent argument for the notion of opera as an externalization of the implicit dialogue between various unnamed, internalized voices in the madrigal to the visible presence of these personae in opera as drama per musica.

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