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Andrew Wyeth is one of the best loved and most widely recognized artists in American history, yet for much of his career he was reviled by the art world’s critical elite. Rethinking Andrew Wyeth reevaluates Wyeth and his place in American art, trying to reconcile these two opposing images of the man and his work.
In addition to surveying the American critical reception of Wyeth’s art over the seven decades of his career, David Cateforis brings together a collection of essays featuring new critical and scholarly responses to the artist. Donald Kuspit’s compelling psycho-philosophical interpretation of Wyeth exemplifies the possibility of new approaches to understanding his work that move beyond the Wyeth “curse,” as do those of the other contributors to this volume—from the close analysis of Wyeth’s technical means offered by Joyce Hill Stoner, to the adventuresome interpretive readings of individual Wyeth paintings advanced by Alexander Nemerov and Randall C. Griffin, the considerations of Wyeth’s critical reception in historical context offered by Wanda M. Corn and Katie Robinson Edwards, and the connections of Wyeth to other canonical artists such as Francine Weiss’s comparison of him to Robert Frost and Patricia Junker’s linkage of Wyeth and Marcel Duchamp.
Rethinking Andrew Wyeth includes an appendix with data from visitor surveys conducted at the Wyeth retrospectives in San Francisco in 1973 and Philadelphia in 2006. Illustrated throughout with both iconic and lesser-known examples of Wyeth’s work, this book will appeal to academic, museum, and popular audiences seeking a deeper understanding and appreciation of Andrew Wyeth’s art through its critical reception and interpretation.
Edited by David Cateforis, with essays by David Cateforis, Wanda M. Corn, Katie Robinson Edwards, Randall C. Griffin, Patricia Junker, Donald Kuspit, Alexander Nemerov, Joyce Hill Stoner, and Francine Weiss.
This volume’s release coincides with an exhibition at the National Gallery of Art in Washington, D.C. in 2014, Andrew Wyeth: Looking Out, Looking In.
- Sales Rank: #1301304 in Books
- Published on: 2014-07-09
- Original language: English
- Number of items: 1
- Dimensions: 10.00" h x .90" w x 7.00" l, 2.27 pounds
- Binding: Hardcover
- 248 pages
Review
"A strong step toward a reevaluation of an artist whose complexity still largely eludes us."--Jennifer A. Greenhill"Art Journal" (03/01/2015)
From the Inside Flap
"This timely collection of insightful essays contributes to a growing body of new scholarship on this artist of significance. Scholars and critics are rethinking Wyeth—an artist the collectors and public have always loved. This volume pushes that overdue, meaningful reassessment along at just the right moment." —Patricia McDonnell, Director, Wichita Art Museum
About the Author
David Cateforis is Professor of Art History at the University of Kansas, where he teaches American, modern, and contemporary art. He has lectured and published widely on 20th-century American art and has contributed essays to numerous museum exhibition and collection catalogues; publishers include the Des Moines Art Center, Nelson-Atkins Museum of Art, San Francisco Museum of Modern Art, Sheldon Memorial Art Gallery, Spencer Museum of Art, and Wichita Art Museum. He is the author of Willem de Kooning.
Most helpful customer reviews
20 of 20 people found the following review helpful.
Critical Perspectives on Andrew Wyeth
By Jay Vogelsong
Critics preoccupied with progressive ideas about art have too often dismissed Andrew Wyeth as merely a sentimental illustrator. To correct this perspective, the authors of the essays in this book have offered reassessments of both Wyeth's work and of the misperceptions surrounding it. They have provided an overview of his critical reception during his long career, an exploration of his techniques, critiques of specific works, comparisons with other artists and even writers, and a survey of his wide audience. The book illustrates these essays with beautiful (if somewhat small) color reproductions of many of his very best works. This is thought provoking stuff, even for someone like me who has read a fair number of other works on Wyeth.
To focus for a moment on the last essay, titled "Surviving the Conceptual Collapse of Art in the Modern Age of Anxiety," its author Donald Kuspit writes, "Anxiety, rather than beauty, is the preferred 'theme' of art in modernity. But to be charged with anxiety means that art is threatened at its foundation...." The author elaborates:
"Anxiety about art leads one to regard it as a matter of chance, sparing one the trouble of having to work to make it, and with that the skill and devotion necessary to make it work as art: to have a transformational effect on the engaged viewer, altering his consciousness for the better, which means making him more sensitive to the aesthetic aspects of things and the emotional nuances of experience than he could ever be with his everyday consciousness."
Kuspit states that this is exactly why the works of Andrew Wyeth appeal to such a wide audience, contrary to his critics. They embody not only the traditional skills, but also the traditional goals of aesthetic beauty and emotional relevance.
To speak for myself, Andrew Wyeth is one of my favorite artists, along with Claude Monet, Paul Cezanne and a few others. Each explored rather circumscribed areas by means of their own particular stylistic innovations, then stuck to their own visions regardless of how they were perceived by others. Each produced a remarkable and unique body of work widely appreciated as beautiful and worthy of exploration, like little worlds of their own making.
So in my opinion, Wyeth was one of the most important American artists of the last century and should be ranked among the greatest painters of any place or period. He very much deserves this critical reassessment.
11 of 12 people found the following review helpful.
This is a fantastic book. If you like Andrew Wyeth you will ...
By jazzy
This is a fantastic book. If you like Andrew Wyeth you will like this book. It is well written and gives a historical look at Wyeths pantings and how the critics thought about his work during his lifetime. It will make you think. I am a retired Art Instructor who has been a Wyeth fan for my whole life. I have almost every book written about him, including his biography. This book gave me some insight that I never thought about before. I am so glad I bought it!
3 of 3 people found the following review helpful.
Rethinking Andrew Wyeth
By Eva Ing
“Rethinking Andrew Wyeth” describse the artist’s history of work with in-depth discussions and the relevant paintings to illustrate the text.
For example, in the discussion about “Christina World”, we learn that “When Wyeth painted Christina’s World, post-World War II American was witness for a burgeoning middle class as well as an explosion of consumer goods. . . . In contrast, Christina and her brother seems to have stepped out of the pages of John Steinbeck’s The Grapes of Wrath, a world in which American individualism was defined by struggle.”
The book is a wonderful addition to any art lover’s collection. Not only would you gain an in-depth understanding of Wyeth’s work, but a real appreciation of his composition process when you view one of his paintings in person.
Thank you GoodReads for the book !!
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