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The ancient Greeks and Romans were not shy about sex. Phallic imagery, sex scenes, and the lively activities of their promiscuous gods adorned many objects, buildings, and sculptures. Drinking cups, oil-lamps, and walls were decorated with scenes of seduction; statues of erect penises served as boundary-stones and signposts; and marble satyrs and nymphs grappled in gardens.
Caroline Vout examines the abundance of sexual imagery in Greek and Roman culture. Were these images intended to be shocking, humorous, or exciting? Are they about sex or love? How are we to know whether our responses to them are akin to those of the ancients? The answers to these questions provide fascinating insights into ancient attitudes toward religion, politics, sex, gender, and the body. They also reveal how the ancients saw themselves and their world, and how subsequent centuries have seen them. Beautifully illustrated throughout, this lively and thought-provoking book not only addresses theories of sexual practice and social history, it is also a visual history of what it meant and still means to stare sex in the face.
- Sales Rank: #451917 in Books
- Brand: Brand: University of California Press
- Published on: 2013-11-06
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x 1.25" w x 6.00" l, 1.23 pounds
- Binding: Hardcover
- 272 pages
- Used Book in Good Condition
About the Author
Caroline Vout is Senior Lecturer in Classics at the University of Cambridge and a Fellow of Christ’s College. In 2008 she was awarded the prestigious Philip Leverhulme Prize for Art History. She is the author of Power and Eroticism in Imperial Rome and Antinous: the Face of the Antique, which won the inaugural Art Book Award.
Most helpful customer reviews
2 of 2 people found the following review helpful.
Surprisingly Good Book
By William Suddaby
Caroline Vout adroitly navigates a tightrope between scholarship and titillation in this remarkable revisitation of the world's ongoing fascination with ancient Greek and Roman sex. Probably not a book for my Victorian grandmother, but for our time--rife as it is with digital pornography--certainly a refreshingly candid and insightful look into antiquity's comfort with sexuality.
The splendid full color illustrations, laudably interwoven within the text, are for the most part derived from objects familiar to classicists, many from the British Museum. But the author's keen observation of them, and her grace, humor, and breezy candor in positing what the ancients might be saying about their religious beliefs and social attitudes is decidedly new. We begin to see that these explicit depictions are less their creators' acceptance of their own sex lives than their "working through [their own] expectations, fears, and feelings." There are good lessons here for the times in which we live. For the scholar there are twelve pages of "Further Reading" thoughtfully presented by chapter.
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