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It is widely known that such Western institutions as the museum, the university, and the penitentiary shaped Japan’s emergence as a modern nation-state. Less commonly recognized is the role played by the distinctly hybrid institution—at once museum, laboratory, and prison—of the zoological garden. In this eye-opening study of Japan’s first modern zoo, Tokyo’s Ueno Imperial Zoological Gardens, opened in 1882, Ian Jared Miller offers a refreshingly unconventional narrative of Japan’s rapid modernization and changing relationship with the natural world. As the first zoological garden in the world not built under the sway of a Western imperial regime, the Ueno Zoo served not only as a staple attraction in the nation’s capital—an institutional marker of national accomplishment—but also as a site for the propagation of a new “natural” order that was scientifically verifiable and evolutionarily foreordained. As the Japanese empire grew, Ueno became one of the primary sites of imperialist spectacle, a microcosm of the empire that could be traveled in the course of a single day. The meaning of the zoo would change over the course of Imperial Japan’s unraveling and subsequent Allied occupation. Today it remains one of Japan’s most frequently visited places. But instead of empire in its classic political sense, it now bespeaks the ambivalent dominion of the human species over the natural environment, harkening back to its imperial roots even as it asks us to question our exploitation of the planet’s resources.
- Sales Rank: #496903 in Books
- Published on: 2013-07-19
- Original language: English
- Number of items: 1
- Dimensions: 9.25" h x 6.25" w x 1.00" l, 1.35 pounds
- Binding: Hardcover
- 352 pages
Review
"A rich political and cultural history of modern Japan."--Fa-ti Fan"Cross-Currents" (03/01/2014)
""The Nature of Beasts" is a critical intervention in global zoo, environmental and Japanese histories. It stands on its own as a fascinating and thoughtful history, but also provides opportunities for future scholarly exploration into patterns of human dominion over nature across the East Asian world."--Noah Cincinnati"Pacific Affairs" (03/01/2015)
"This is a path-breaking contribution to the history of science, environmental history, and Japanese history."--James R. Bartholomew"Journal of Japanese Studies 41, no. 1" (03/01/2015)
From the Inside Flap
“Brilliantly researched and refreshingly original, this study of the Ueno Zoo shows how the human world has been constituted in large part by its engagements with nature and animals—and, conversely, how the zoo reflects larger questions of modernity, desire, violence, and history. Nationalism, empire and colonialism, total war, consumerism, and the culture of capitalism, bio-power and necropolitics, race—readers will be challenged to think about these and other “human” concerns through the supposed garden of nature and animals.” —Takashi Fujitani, Dr. David Chu Professor and Director in Asia Pacific Studies, University of Toronto
“In a tumultuous history of the Tokyo Zoo as it has been intertwined with the history of the Japanese nation, Ian Miller reveals the zoo as a site for disciplining subjects and citizens, naturalizing empire, glorifying sacrifice during war, playing out geopolitical rivalries, and spurring mass consumerism. Theoretically sophisticated but accessible and thoroughly engaging, The Nature of the Beasts is an important contribution to our understandings of Japan’s modernization, imperialism, and relationship with the animal world."—William M. Tsutsui, author of Japanese Popular Culture and Globalization
"Miller offers a unique vantage point onto Japan's modern experience. The Nature of the Beasts is deftly and poignantly written. The book is a real gem."—Brett L. Walker, Regents Professor, Montana State University, Bozeman
"The Nature of the Beasts is at once critical, compassionate and profound. The Ueno zoo becomes a stage on which animals, people and nations act out the changing ecological drama of modernity. It is a drama in which we all play a part. We are touched with sorrow by the ritualized sacrifice of majestic animals played out in the culture of total war. This book is a deep reflection on the rise, fall, and transformation of an imperial power and its consequences for the lives of humans and nonhumans alike."—Gregg Mitman, author of Reel Nature: America's Romance with Wildlife on Film
"Ian Miller's compelling book on Japan's foremost zoo makes clear that the cages constructed for nonhuman animals ultimately circumscribe their human captors as well. Japan's modern history, its rise and fall as an imperial power and its postwar place in a world threatened by climate change, are all encapsulated in dramatic events at the Ueno zoological garden."—Julia Adeney Thomas, author of Reconfiguring Modernity: Concepts of Nature in Japanese Political Ideology
About the Author
Ian Jared Miller teaches Japanese history at Harvard University.
Most helpful customer reviews
1 of 1 people found the following review helpful.
contrast with parallels and timeless epic themes placing the work among the best. I laughed
By Marshall
Before mentioning the content of The Nature of the Beasts, let me pause and relish the prose style. The exquisite phrasing and robust documentation are above reproach and there are narrative techniques such as foreshadowing, repetition with variation, contrast with parallels and timeless epic themes placing the work among the best. I laughed. I cried. It was not until nearly the end that I realized how heroically inclusive the title is. And the graphics are wonderful. How I longed to see each on a full page spread.
Who could have guessed so much of profound general interest could be found in the archives of a zoo?
Early on there are two liminal issues onto which I fastened: the border between natural and human, and the border between traditional and urban (including modern) societies. The first is dealt with elegantly and with great insight, tracing the perception of nature as invincible into nature as a remnant requiring the utmost in care and nurturing and probing the parallels and contrasts between the life occupying the cages and the life peering in.
The second approaches an issue that is my own obsession: call it urban infertility. No city has ever been able to survive without recruitment. The birth rate is never sufficient for survival. This has been attributed to pollution or choice in the ancient world. It has been attributed to street violence or dueling in the more recent past. It has been attributed to élan vital, more recently. That myth was demolished by Pasteur, so the blame was laid at the feet of infectious disease, which is under control so we are back with pollution or choice, where we started a couple thousand years ago. Yet urban infertility persists unabated.
I have long said, with temerity while documentation was lacking, that the city must recruit. The village generally produces plenty of children. So I have attributed the wonders of civilization – absurd architecture, pointless pageantry, deafening music, zoos and books (well there had to be some good in it) to the need of the city to proclaim that its life was somehow superior to village life. And this book points out how this recruitment campaign was documented at the great Ueno Zoo in Tokyo. Of course once the critical step from village to town has been taken, there is no logical barrier to bringing people along into empire and globalization, which is laid out swiftly and clearly from a zoological garden coign of vantage.
A wonderful read.
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