Rabu, 09 Juli 2014

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The Memoirs of Lady Hyegyong: The Autobiographical Writings of a Crown Princess of Eighteenth-Century KoreaFrom University of California



The Memoirs of Lady Hyegyong: The Autobiographical Writings of a Crown Princess of Eighteenth-Century KoreaFrom University of California

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The Memoirs of Lady Hyegyong: The Autobiographical Writings of a Crown Princess of Eighteenth-Century KoreaFrom University of California

Lady Hyegyong's memoirs, which recount the chilling murder of her husband by his father, form one of the best known and most popular classics of Korean literature. From 1795 until 1805 Lady Hyegyong composed this masterpiece, depicting a court life Shakespearean in its pathos, drama, and grandeur. Presented in its social, cultural, and historical contexts, this first complete English translation opens a door into a world teeming with conflicting passions, political intrigue, and the daily preoccupations of a deeply intelligent and articulate woman.

JaHyun Kim Haboush's accurate, fluid translation captures the intimate and expressive voice of this consummate storyteller. Reissued nearly twenty years after its initial publication with a new foreword by Dorothy Ko, The Memoirs of Lady Hyegyong is a unique exploration of Korean selfhood and an extraordinary example of autobiography in the premodern era.

  • Sales Rank: #133218 in Books
  • Published on: 2013-09-14
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.10" w x 6.00" l, 1.20 pounds
  • Binding: Paperback
  • 400 pages

Language Notes
Text: English (translation)
Original Language: Korean

From the Inside Flap
“Undoubtedly, The Memoirs of Lady Hyegyong, known as Hanjungnok (Records written in silence), is one of the most important and moving pieces of traditional Korean literature. . . . Haboush must be congratulated for an exemplary annotated translation that preserves the tone and color of the original texts.”
Korean Studies

“This authoritative edition. . . elucidates the intricate world of Korean court—its morass of age-old strictures, interfamilial rivalries, and just plain ill will—through which Lady Hyegyong had to navigate, both in her life and writing. . . Part of what makes these memoirs so gripping is the threat of erasure, present from the start.”
Voice Literary Supplement

“Lady Hyegyong writes of a life that none of us could have lived, yet her words and feelings are the same as those expressed and experienced by women in many time periods and many civilizations. . . . The translation by JaHyun Kim Haboush is fluid, and her wonderfully analytical introduction gives the reader useful background material, as well as insightful interpretation.”
New Asian Pacific Review

About the Author
JaHyun Kim Haboush was Associate Professor of East Asian Languages and Cultures and History at the University of Illinois.

Most helpful customer reviews

47 of 48 people found the following review helpful.
Lady Hyegyong's ``Unmentionable'' Memoirs Revived in English
By SJ
THE KOREA TIMES 971016 CULTURE 1044WORDS
> By Yang Sung-jin
Staff Reporter
Darkness seals the closed space. In a wooden rice chest, he protests desperately, but to no avail. After nine days of unimaginable pain and despair, he dies alone.
It would be a sheer nightmare to see a person imprisoned in such an unlikely place and die from asphyxiation. To Lady Hyegyong, the widow of this man, it was much worse. For her husband is Prince Sado and the person who ordered him to die is no other than his own father, King Yongjo (1694-1776).
"The Memoirs of Lady Hyegyong" (University of California Press; 327 pages) reveals the darkest chapter of Korean history. It was translated in 1996 by Kim Ja-hyun, professor of East Asian History and Culture at University of Illinois.
For the brilliant translation and the original book's literary value, Kim received the 3rd Korean Literature Translation Award, a biann ual ceremony organized by the Korean Culture & Arts Foundation in order to promote Korean literature overseas.
"Professor Kim's translation is brilliant in every sense. For its unparalleled accuracy in translation as well as the literary value of the original text, we had no difficulty choosing her work as the best one," announced jury chief Lee Young-kul at the award ceremony Tu esday.
"There were a lot of difficulties and problems, of course. Starting from choosing the most authoritative text available to making footnotes and endnotes, I had to spend much time solving the problems one by one. And yet I think I have been with Lady Hyegyong's voice all those years," said Kim in a press conference.
Interestingly, Lady Hyegyong's voice was at first Korean and then it changed into English as Kim continued to work on the translation.
Finally it was Lady Hyegyong's voice which helped and encouraged the 56-year-old professor to finish the translation.
"Over the past 18 years, many times I felt it's too difficult and too much for me. But whenever I tried to give up, I heard Lady Hyegyong's voice. That's the reason I did not quit," explained Kim.
The translation started back in 1975 when Kim was a graduate student at Columbia University, where she was also working as a teaching assistant of a class called "Asian Humanities," based on the famous humanities course, "Contemporary Civilization." In contrast to many Chinese and Japanese works included in the course list, Kim found no Korean literature, which later prompted her to push ahead with the translation.
"While I was translating Lady Hyekyong's memoirs, it occurred to me that I am a kind of shaman. As far as I know, a shaman supposedly connects the living with the dead. The only difference is, translation connects two different cultures," said Kim.
What Kim did not mention is that a shaman does not simply connect the living and the dead. Traditional Korean shamans are supposed to resolve the entangled relations or unfulfilled desire between the living and the dead through shamanist rituals and trances.
The world of the dead to which Kim guides the reader beyond time and culture is awash with filial hatred, inexplicable resentment and its tragic results, all of which are at the center of Lady Hyegyong's memoirs.
Lady Hyegyong wrote four memoirs (1795, 1801, 1802 and 1805), which are chiefly known as "Hanjungnok" (Records Written in Silence) to most Koreans.
In the memoirs, Lady Hyegyong narrates her life as a royal wife and daughter-in-law from a female perspective, which is rare and precious in Korean literature. At the age of 9, she had to endure the loneliness of being separated from her family after she was chosen as the bride of Prince Sado. Yet the most excruciating experience for her was the uncontrollable feuding between her husband and her father-i n-law.
Lady Hyegyong argues in her memoirs that King Yongjo treated Prince Sado so badly that her husband, who is warm and kind at heart from her perspective, fell into a state of emotional disturbance and insanity.
Prince Sado, as his emotional troubles deepened, developed clothing-phobia. Among other strange behavior, he spent endless time choosing his clothes in the morning. In the process, he murdered and injured the awaiting servants in sudden fits of rage.
King Yongjo, who felt deep distrust and scorn toward his son, finally decided that Prince Sado was too dangerous to live at the court, and confined him to the rice chest in 1762, the "imo" year.
What drove Lady Hyegyong to recount the unmentionable "imo incident" were her feelings of guilt. On charges related to the imo incident, her own father lost his seat in the Cabinet while her uncle and brother were executed, all of which led to the downfall of her family.
To prove her father's innocence, Lady Hyegyong candidly recounted the detailed situation of the imo incident at the age of 71.
The fascinating memoir, as well as its translation, sheds illumination on the historical background of the period, the private lives of the royal family and social obligations demanded of the elite.
Kim's masterful translation and thlet foreigners better understand Koreture. A case in point is that "Asian Humanities" recently included Kim's translation on its reading list and students read it with enthusiasm, showing much interest.
"Lady Hyegyong's memoir is very significant as a historical document and literary masterpiece because it directly deals with historical facts from a female perspective. It is indeed unique, compared with other female autobiographical writings that focus on mainly personal aspects," explained Kim.
Furthermore, Lady Hyegyong wrote in Hangul, which was shunned at that time by the Korean elite, who persisted in using classical Chinese. Because of this, the memoirs provide a precious insight into Korean literary traditions, especially those of works written in Hangul during the Chosun period, she added.
The front cover of the book is a picture symbolizing the taboo against depicting members of the royal family, who are "unmentionable," both literally and visually. In the portrait of the royal family and its servants, only King Yongjo is "invisible" on the royal horse.
In the pages following the symbolic picture, Lady Hyegyong bravely mentions the ``unmentionable" through the voice of Kim Ja-hyun, a modern shaman who transcends culture and language to revive the Princess's spirit after 200 years of silence.

53 of 55 people found the following review helpful.
The Korean Hamlet
By A Customer
"The Memoirs of Lady Hyegyong" is actually four different works written by one woman, a circumspect, scrupulous, unfortunate 18th Century Korean aristocrat. The memoirs are, successively, a family injunction, a memorial, a biography, and a historiography. At the center of the collection sits Hong Hyegyong and her husband, Crown Prince Sado. "The Memoirs" span the reigns of Yongjo, Chongjo, and Sunjo, and the careers of Lady Hyegyong's father, Hong Ponghan, and her older brothers.
Lady Hong Hyegyong was the wife of Crown Prince Sado, who in 1762, was ordered by his father, King Yongjo, to step into a rice chest, which was susequently bound and covered in sod. Crown Prince Sado had been punished by his father for a series of heinous murders caused by Sado's mental illness. Lady Hyegyong and her family, including her son, the future King Chongjo, then became the focal point of factional quarrels at court, each side using the execution of the Crown Prince, to its own political advantage.
Lady Hyegyong, in the first three memoirs, strives to defend her father and brothers against chages of treason and complicity in Sado's execution. The last memoir is a defense of her husband. All four are addressed to her grandson, King Sunjo, to restore the honor of her family.
Although Lady Hyegyong nor Haboush could ascertain the specific cause of Crown Prince Sado's illness, and Lady Hyegyong's anecdotal evidence is hardly scientific, I would like to offer ''hwabyong'', or, in Korean, ''fire disease'' or ''anger disease''. ''Hwabyong'', as offered by Alford in "Think No Evil: Korean Values In The Age Of Globalization" (see review), is ''...a unique Korean folk syndrome...'' characterized by ''...anxiety, panic,...and the suppression of anger...'' (p. 77). Korean fire disease's ''...symptoms reflect[s] the constraints of the culture: not just on the expression of of emotion, but the lack of opportunity...to change...''(p. 79). Only Crown Prince Sado,and the evidence offered in "The Memoir of 1805", can affirm this conjecture.
The last work, "The Memoir of 1805", is a brilliant psychological portrait of Crown Prince Sado. It is a revealing exercise in historical writing, and also reveals the mind of an extraordinary woman trying to understand some of the most harrowing personal tragedies any spouse or daughter might face.
"The Memoirs" can be compared to Lady Murasaki Shikibu's "The Tale of Genji", "Hamlet", and the lives of the Roman Emperors. One major failing of Haboush's''Introduction'' is, that she does not place the incidents in a broader historical and international context. But she does manage to argue against abridging and collecting each work into a longer historical novel. A broader focus would further aid in understanding Lady Hyegyong's dedication in defense of her brothers and father.
This is not only a valuable history, but it is also another demonstration of the narrative powers of Asian women authors operating in a patriarchical, almost misogynistic, culture.

4 of 4 people found the following review helpful.
Sad tale in the Court
By Menda
Why I bought this book? It all started by a Korean drama about how King Yeongjo putting his own son, the Crown Prince Sado to death, later Prince Sado's son became King Jeongjo, he took it upon himself to prove his father's innocence and later he plotted to kill all those involved in his death. The background in question was a very intriguing historical period that was dramatized for TV. At the end of the drama, I felt something still not completed and I was happy to find "The Memoirs of Lady Hyegyong" - at first it was not an easy reading because I am not a Korean and I do not know their history well. Reading the "memoirs", I felt like reading a very elegant ongoing poem, kind of dream like tales of what went on behind the majestic palace, perhaps that was the style of writing for that period of time. This book actually could serve as a good historical and political reading when un-official palace history record was not available. Reader would feel the sadness, the struggle of Lady Hyegyong whose husband was the Crown Prince that had "gone mad", ordered to be put in a rice box to die by his own father. The grand-father, King Yeongjo raised up Prince Sado's son to be the next in line, carefully watching the boy in every detail, totally not trusting the boy until he could prove his worthiness. Lady Hyegyong would have liked to take her own life soon after her husband's death, but to ensure her son would not meet the same fate, Lady Hyegyong endured all the hardship and the political games that went on inside the court to help her son to be the next King. Unfortunately, his son did not live long and died at 48 suddenly; Lady Hyegyong found herself once more needing to help her grandson to be the King. He is known as King Sunjo who would realize and to fulfill his father's dream of a better Joseon.

This is a very good book to read about Joseon history in an easy light manner and at the same time to read about the intriguing Joseon court life. According to history King Jeongjo was a very good King, who shaped the further growth and development of Joseon's popular culture.

Yes, if you like Korean history, drama, detective like stories with real history background, scholarly articulated yet in poem form writing - this is the book.

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Selasa, 08 Juli 2014

! Ebook Beyond Cladistics: The Branching of a Paradigm (Species and Systematics)From University of California Press

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Beyond Cladistics: The Branching of a Paradigm (Species and Systematics)From University of California Press

Cladistics, or phylogenetic systematics—an approach to discovering, unraveling, and testing hypotheses of evolutionary history—took hold during a turbulent and acrimonious time in the history of systematics. During this period—the 1960s and 1970s—much of the foundation of modern systematic methodology was established as cladistic approaches became widely accepted. Virtually complete by the end of the 1980s, the wide perception has been that little has changed. This volume vividly illustrates that cladistic methodologies have continued to be developed, improved upon, and effectively used in ever widening analytically imaginative ways.

  • Sales Rank: #3661172 in Books
  • Published on: 2010-10-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .60" w x 6.00" l, 1.70 pounds
  • Binding: Hardcover
  • 352 pages

Review
“Recommended.” (Choice 2011-06-27)

From the Inside Flap
"This multifarious volume does a splendid job of reflecting the breadth and depth of fundamental questions about the methods of systematics and biogeography, from the practical applications of conservation biology to issues of wide interest to evolutionary biologists."—Dr. Norman I. Platnick, American Museum of Natural History

"A fun and informative volume that everyone interested in the subject will enjoy. This book is full of important discussions on Botany, Cladistics, and Biogeography."—Vicki Funk, National Museum of Natural History, Smithsonian Institution

"The Branching Of A Paradigm is the intriguing theme of this volume on the myriad of ways cladistics has impacted modern biology. Surprises from floristics to recent thoughts on epistemology await the reader."—Dennis Stevenson, New York Botanical Garden

About the Author
David M. Williams and Sandra Knapp are both in the Botany Department at the Natural History Museum of London.

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0 of 0 people found the following review helpful.
Great!
By P. Lopes
It not only reviews the major steps in phylogenetic systematics, but also points where the new investigative fields are going. It is up to date, indeed.

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Minggu, 06 Juli 2014

~ Free PDF Spirits of Protestantism: Medicine, Healing, and Liberal Christianity (The Anthropology of Christianity), by Pamela E. Klassen

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Spirits of Protestantism: Medicine, Healing, and Liberal Christianity (The Anthropology of Christianity), by Pamela E. Klassen

Spirits of Protestantism reveals how liberal Protestants went from being early-twentieth-century medical missionaries seeking to convert others through science and scripture, to becoming vocal critics of missionary arrogance who experimented with non-western healing modes such as Yoga and Reiki. Drawing on archival and ethnographic sources, Pamela E. Klassen shows how and why the very notion of healing within North America has been infused with a Protestant "supernatural liberalism." In the course of coming to their changing vision of healing, liberal Protestants became pioneers three times over: in the struggle against the cultural and medical pathologizing of homosexuality; in the critique of Christian missionary triumphalism; and in the diffusion of an ever-more ubiquitous anthropology of "body, mind, and spirit." At a time when the political and anthropological significance of Christianity is being hotly debated, Spirits of Protestantism forcefully argues for a reconsideration of the historical legacies and cultural effects of liberal Protestantism, even for the anthropology of religion itself.



  • Sales Rank: #2038673 in Books
  • Published on: 2011-07-14
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .78" w x 5.98" l, 1.05 pounds
  • Binding: Paperback
  • 348 pages

Review
"A courageous and balanced treatise. . . . A nuanced call for the careful analysis of the seemingly familiar."--Willson Wills"Somatosphere" (07/08/2012)

"A rich portrait of 20th century Protestant liberalism."--Heather D. Curtis"Religion" (03/09/2012)

A courageous and balanced treatise. . . . A nuanced call for the careful analysis of the seemingly familiar. --Willson Wills"Somatosphere" (07/08/2012)"

A rich portrait of 20th century Protestant liberalism. --Heather D. Curtis"Religion" (03/09/2012)"

From the Inside Flap
“Klassen’s book is much more than a first-rate study of how two churches in Canada positioned themselves within the ostensibly parallel worlds of biomedicine and spiritual healing. It is, at its core, an insightful meditation on the relationship between liberal Protestantism and the project of modernity. A must read not only for students of Christianity, but all those interested in the legacies of secularism and enchantment." —Matthew Engelke, London School of Economics

About the Author
Pamela E. Klassen is Professor in the Department for the Study of Religion at the University of Toronto. She is the author of Blessed Events: Religion and Home Birth in America.

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^^ PDF Download Music, Authorship, and the Book in the First Century of Print, by Kate van Orden

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Music, Authorship, and the Book in the First Century of Print, by Kate van Orden

What does it mean to author a piece of music? What transforms the performance scripts written down by musicians into authored books? In this fascinating cultural history of Western music’s adaptation to print, Kate van Orden looks at how musical authorship first developed through the medium of printing. When music printing began in the sixteenth century, publication did not always involve the composer: printers used the names of famous composers to market books that might include little or none of their music. Publishing sacred music could be career-building for a composer, while some types of popular song proved too light to support a reputation in print, no matter how quickly they sold. Van Orden addresses the complexities that arose for music and musicians in the burgeoning cultures of print, concluding that authoring books of polyphony gained only uneven cultural traction across a century in which composers were still first and foremost performers.

  • Sales Rank: #3038109 in Books
  • Published on: 2013-10-19
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.00" w x 6.00" l, 1.10 pounds
  • Binding: Hardcover
  • 256 pages

Review
"[Van Orden] writes with such verve and enthusiasm that her book can convey the import of her work to the general reader."--Stephen Smoliar"Examiner.com" (12/21/2013)

About the Author
Kate van Orden is Professor of Music at Harvard University and author of Music, Discipline, and Arms in Early Modern France (2005), winner of the Lewis Lockwood Award from the American Musicological Society.

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Sabtu, 05 Juli 2014

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The Thrill Makers: Celebrity, Masculinity, and Stunt Performance, by Jacob Smith

Well before Evel Knievel or Hollywood stuntmen, reality television or the X Games, North America had a long tradition of stunt performance, of men (and some women) who sought media attention and popular fame with public feats of daring. Many of these feats—jumping off bridges, climbing steeples and buildings, swimming incredible distances, or doing tricks with wild animals—had their basis in the manual trades or in older entertainments like the circus. In The Thrill Makers, Jacob Smith shows how turn-of-the-century bridge jumpers, human flies, lion tamers, and stunt pilots first drew crowds to their spectacular displays of death-defying action before becoming a crucial, yet often invisible, component of Hollywood film stardom. Smith explains how these working-class stunt performers helped shape definitions of American manhood, and pioneered a form of modern media celebrity that now occupies an increasingly prominent place in our contemporary popular culture.

  • Sales Rank: #10074936 in Books
  • Published on: 2012-05-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.02" h x .75" w x 5.98" l, 1.10 pounds
  • Binding: Hardcover
  • 282 pages

From the Inside Flap
“Starring human flies, daredevil aviators, bridge jumpers, and lion tamers, The Thrill Makers is a great read, as evocative as it is theoretically savvy, and convincingly argued. Culling telling details from a host of long-overlooked sources, Jacob Smith’s account of sensational, high-risk public performance from the Victorian age to the 1930s unearths and illuminates the interwoven histories of public spectacle, masculinity, the motion picture industry, new forms of celebrity, and the expanding American metropolis.”—Greg Waller, Department of Communication and Culture, Indiana University.

“The Thrill Makers is an historical tour-de-force that illuminates the origins of risk-taking performance in American entertainment, and shows how its practitioners were gradually marginalized as invisible stunt doubles during the rise of the motion picture industry. Smith’s analysis of the lion tamer, the human fly, and the airplane wing-walker—as well as the many others who thrilled audiences before and during the advent of cinema—inspires us to reconsider the nature of media spectacle, masculinity, performance, celebrity, and labor at the turn of the last century. Impeccably researched, this book is a captivating read that re-frames the emergence of cinema in the context of its relationship to other forms of modern entertainment.”—Barbara Klinger, author of Beyond the Multiplex: Cinema, New Technologies, and the Home.

About the Author
Jacob Smith is Assistant Professor at the School of Communications at Northwestern University. He is the author of Vocal Tracks: Performance and Sound Media, and Spoken Word: Postwar American Phonograph Cultures (both UC Press).

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Rabu, 02 Juli 2014

@ Download PDF Introduction to Earth, Soil, and Land in California (California Natural History Guides), by David Carle

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Following his acclaimed guides to air, fire, and water, David Carle now offers a fascinating exploration of one more primary element of the natural world—the land beneath our feet. From earthworms and earthquakes to Earth Day, this concise, engaging guide is a multifaceted primer on the literal foundation of California’s environment. Carle tells how soil ecosystems function, discusses what lives in the soil, and examines various soil types. He then turns to the relationship between humans and the land, and investigates the various uses and abuses that land in California endures: large scale agriculture, mining, and development, as well as fires, floods, and erosion. The guide also details the history of land use in the state, making it an essential resource for understanding our total reliance on soil, the marvelous substrate that is the basis of life.

• Covers the entire state, including California’s wildlands, farmland, cities, and landfills

• Assesses California’s ecological footprint on planet Earth

• Discusses many different life forms found in soil, including bacteria, fungi, insects, and mammals

• Features 92 color photographs and 18 maps

A book in the Californians and Their Environment subseries, dedicated to understanding human influences on the state's ecology and natural resources

  • Sales Rank: #869937 in Books
  • Published on: 2010-09-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.25" h x .70" w x 4.50" l, .81 pounds
  • Binding: Paperback
  • 256 pages

Review
"A fascinating look at the land in California. . . . He explains how this amazing ecosystem functions, and he does it in an understandable way. There are lots of photographs that bring a potentially very dull subject to life. Carle has written guides on air, fire and water. His work goes on my recommended list."--"Fresno Bee, Earth Log"

From the Inside Flap
"David Carle has produced another gem of a book that should be in easy reach of every lover of California, along with its companion volumes on air, fire, and water. Introduction to Earth, Soil and Land in California is a portable encyclopedia—fun to read and filled with photos and facts about everything from earthworms to earthquakes to Earth Day."—Peter Moyle, author of Inland Fishes of California

"As environment and society, California depends upon premises of earth, air, water, and fire. Explicating the intricacies of these elements as they function on their own and in the web of life, David Carle—briefly and with unassuming elegance—introduces us to the basic requirements of our continuing existence on this Planet and, in the process of so doing, suggests for California a shared social stewardship of sustainability."—Kevin Starr, University of Southern California

About the Author
David Carle worked as a California State Park ranger for twenty-seven years. His books include Introduction to Water in California, Introduction to Air in California, and Introduction to Fire in California, all from UC Press.

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The Insurgent Barricade, by Mark Traugott

“To the barricades!” The cry conjures images of angry citizens, turmoil in the streets, and skirmishes fought behind hastily improvised cover. This definitive history of the barricade charts the origins, development, and diffusion of a uniquely European revolutionary tradition. Mark Traugott traces the barricade from its beginnings in the sixteenth century, to its refinement in the insurrectionary struggles of the long nineteenth century, on through its emergence as an icon of an international culture of revolution. Exploring the most compelling moments of its history, Traugott finds that the barricade is more than a physical structure; it is part of a continuous insurrectionary lineage that features spontaneous collaboration even as it relies on recurrent patterns of self-conscious collective action. A case study in how techniques of protest originate and evolve, The Insurgent Barricade tells how the French perfected a repertoire of revolution over three centuries, and how students, exiles, and itinerant workers helped it spread across Europe.

  • Sales Rank: #2075648 in Books
  • Published on: 2010-12-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.25" w x 6.00" l, 1.65 pounds
  • Binding: Hardcover
  • 454 pages

Review
"This fascinating study should be a priority for every university's collection."--"Choice"

"Brilliant and elegantly written. . . . [A] masterful work of historical

sociology."--"Contemporary Sociology"

"An engaging and important book."--"Jrnl of Modern History"

"An engaging and important book."--"Journal of Modern History"

"Captivating. . . . Careful and comprehensive. . . . Mark Traugott offers a magisterial history of the insurgent barricade. . . . A must read."--Lavinia Stan, St. Francis Xavier University"European Legacy" (12/01/2012)

"Insurgent Barricades is a work that should have been written ages ago, filling a gaping hole in revolutionary studies."--Peter L. De Rosa"The Historian" (03/01/2012)

"An engaging and important book."--Christopher H. Johnson"Journal Of Modern History" (06/01/2012)

"Readers of whatever discipline will . . . gain new insights into the insurrectionary impulse and the tradition of urban protest."--Linda Frey"Journal Of World History" (07/13/2012)

Captivating. . . . Careful and comprehensive. . . . Mark Traugott offers a magisterial history of the insurgent barricade. . . . A must read. --Lavinia Stan, St. Francis Xavier University"European Legacy" (12/01/2012)"

Insurgent Barricades is a work that should have been written ages ago, filling a gaping hole in revolutionary studies. --Peter L. De Rosa"The Historian" (03/01/2012)"

An engaging and important book. --Christopher H. Johnson"Journal Of Modern History" (06/01/2012)"

Readers of whatever discipline will . . . gain new insights into the insurrectionary impulse and the tradition of urban protest. --Linda Frey"Journal Of World History" (07/13/2012)"

From the Inside Flap
"Excavating a database of 150 barricades, large and small, successful and unsuccessful, Mark Traugott provides us with a natural history of the insurrectionary barricade — its physiognomy, its development, and its diffusion. From its origins in sixteenth-century Paris to its culmination in the 1848 revolution, and from France to all of Europe, this memorable book is a model of how history and social science can be creatively combined to demonstrate how a key element of modern contentious politics emerged and diffused."—Sidney Tarrow, author of Power in Movement

About the Author
Mark Traugott is Professor of History and Sociology at the University of California, Santa Cruz. He is the author of Armies of the Poor: Determinants of Working-Class Participation in the Parisian Insurrection of June 1848 and the editor and translator of The French Worker: Autobiographies from the Early Industrial Era (UC Press), among other books.

Most helpful customer reviews

4 of 4 people found the following review helpful.
Good book on the ultimate symbol of popular protest
By Lavinia Stan
In his volume, Mark Traugott offers a magisterial history of the insurgent barricade, the ultimate symbol of popular protest. Through the close examination of as many as 155 barricades erected from 1569 to 1898 in France, the Netherlands, Switzerland, Germany, Sicily, Prussia, Austria, Romania, Spain, Belgium, Ireland, Poland, and Italy, Traugott meticulously traces the history of the barricade, its role in popular protests and the broader repertoire of collective action, its meaning for the revolutionaries, the bystanders and the attacking troops, and its consequences for European insurgent movements. As Traugott tells us, unlike other modes and patterns of popular protest, the barricade was able to survive the sweeping changes that affected the European continent during the eighteenth and nineteenth centuries. The volume convincingly raises some difficult questions about the way historians have viewed barricades and provides solid alternative explanations. First, contrary to accounts that claim 1588 and Paris as the year and place where the first barricade was ever erected, Traugott shows that the word was in use as early as 1570 and that barricades were constructed in 1569, 1570, and 1580 outside Paris during events whose importance for the history of the barricade has generally been overlooked. Second, while a number of prominent historians have argued that no barricade was ever erected during the French Revolution, Traugott proposes that the barricade was in fact in frequent use as an insurrectionary technique and played a minor but consistent role in the events of that period. The barricades erected then and at other times and places are documented in a comprehensive database that is the first to list all barricades throughout Europe. Blending painstakingly collected empirical data, careful and comprehensive research, rigorous analysis, and captivating historical vignettes, the volume elucidates an often neglected mode of popular protest infrequently but consistently used in a range of European countries over several centuries. Its accessible writing style and database of barricades make this volume a must read for scholars interested in insurgency, popular protest, state-society relations, and European social history.

1 of 2 people found the following review helpful.
After more than 400 years, the barricade persists
By ROROTOKO
"The Insurgent Barricade" is on the ROROTOKO list of cutting-edge intellectual nonfiction. The book interview of Professor Traugott ran here as the cover feature on January 12, 2011.

See all 2 customer reviews...

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