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A People’s Guide to Los Angeles offers an assortment of eye-opening alternatives to L.A.’s usual tourist destinations. It documents 115 little-known sites in the City of Angels where struggles related to race, class, gender, and sexuality have occurred. They introduce us to people and events usually ignored by mainstream media and, in the process, create a fresh history of Los Angeles. Roughly dividing the city into six regions—North Los Angeles, the Eastside and San Gabriel Valley, South Los Angeles, Long Beach and the Harbor, the Westside, and the San Fernando Valley—this illuminating guide shows how power operates in the shaping of places, and how it remains embedded in the landscape.

• Sales Rank: #71308 in Books
• Published on: 2012-04-23
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .60" w x 6.00" l, 1.18 pounds
• Binding: Paperback
• 328 pages

Review
"High Gas Prices make staycations more inviting, so start planning with 'A People's Guide to Los Angeles." The focus here is on the people, places, struggles and triumphs that make our area unique."--"Pasadena Star-News"

"Offering an interesting alternative to the usual tourist guides, A People's Guide to Los Angeles is a socio-political look at the West Coast's occasionally explosive cultural melting pot that . . . illuminates a few corners that don't turn up in the usual tourist guides."--"Wanderlust"

"Imagine Howard Zinn, the late renegade professor who gave us 'A People's History of the United States, ' kidnapping Huell Howser and rewriting your Auto Club TourBook. . . . But you don't have to agree with the authors' politics to be intrigued by their work. Even though I've been working on an L.A. guidebook myself for the last 18 months, this 'People's Guide' taught me plenty."--Christopher Reynolds"Los Angeles Times" (06/28/2012)

"A beautiful collection of short essays, maps, stories, photographs, directions and secret histories."--Andrew Tonkovich"Oc Weekly: Orange County News, Arts & Ent" (04/29/2012)

"An intriguing and important book of alternative tourism."--June Sawyers"Chicago Tribune" (06/17/2012)

"A rare and refreshingly new take on the tourist guidebook. . . . O?ers a more balanced and accurate picture of Los Angeles."--Sean Smith"Southern California Quarterly" (10/09/2012)

"F**k Rodeo Drive: A People's Guide to Los Angeles is an L.A. Guidebook for the 99 Percent."--Whitney Friedlander"LA Weekly" (05/04/2012)

"It should become a permanent feature on bookshelves and course syllabi across the region."--Stefano Bloch"Social & Cultural Geography" (06/21/2013)

"An indispensable guide for those seeking to understand Los Angeles beyond its well-hyped glitz and glamour."--Randy Shaw"Beyondchron" (05/10/2012)

"The masterfully executed book subverts the typical Los Angeles guidebook. . . . It's an invaluable source of little known or forgotten but very necessary L.A. history."--Mike Sonksen"KCET.org" (10/19/2012)

"This is not your usual roundup of traditional tourist sites in L.A. but, instead, a unique and vastly informative guide to places of interest and importance in the struggles of race, labor, gender, and the environment."--Brad Hooper"Booklist" (04/01/2012)

"A rich, full, and fascinating alternative tour of Los Angeles that is sure to hold something of interest for just about anyone who is curious about the subterranean history and hidden current life of the city . . . a groundbreaking and important project."--Jim Miller"Journal of San Diego History" (07/01/2013)

Imagine Howard Zinn, the late renegade professor who gave us A People s History of the United States, kidnapping Huell Howser and rewriting your Auto Club TourBook. . . . But you don t have to agree with the authors politics to be intrigued by their work. Even though I ve been working on an L.A. guidebook myself for the last 18 months, this People s Guide taught me plenty. --Christopher Reynolds"Los Angeles Times" (06/28/2012)"

A beautiful collection of short essays, maps, stories, photographs, directions and secret histories. --Andrew Tonkovich"Oc Weekly: Orange County News, Arts & Ent" (04/29/2012)"

An intriguing and important book of alternative tourism. --June Sawyers"Chicago Tribune" (06/17/2012)"

A rare and refreshingly new take on the tourist guidebook. . . . O?ers a more balanced and accurate picture of Los Angeles. --Sean Smith"Southern California Quarterly" (10/09/2012)"

F**k Rodeo Drive: A People's Guide to Los Angeles is an L.A. Guidebook for the 99 Percent. --Whitney Friedlander"LA Weekly" (05/04/2012)"

The masterfully executed book subverts the typical Los Angeles guidebook. . . . It's an invaluable source of little known or forgotten but very necessary L.A. history. --Mike Sonksen"KCET.org" (10/19/2012)"

An indispensable guide for those seeking to understand Los Angeles beyond its well-hyped glitz and glamour. --Randy Shaw"Beyondchron" (05/10/2012)"

This is not your usual roundup of traditional tourist sites in L.A. but, instead, a unique and vastly informative guide to places of interest and importance in the struggles of race, labor, gender, and the environment. --Brad Hooper"Booklist" (04/01/2012)"

From the Inside Flap
“Forget the stars’ map of Hollywood: this is the real trip through an L.A. history of militant strikers, civil rights activists, and unforgettable feminists. A tour de force of imagination and memory.” —Mike Davis, author of City of Quartz: Excavating the Future in Los Angeles

"A People’s Guide brings the reader to the Los Angeles I know and love. The amazingly diverse, vibrant, gritty LA filled with history and struggle. Finally, here’s a guidebook that takes visitors to the places and people that make me proud to call Los Angeles my home.” —Madeline Janis, Executive Director, Los Angeles Alliance for a New Economy (LAANE)

About the Author
Laura Pulido is Professor of American Studies and Ethnicity at the University of Southern California. Among her books is Black, Brown, Yellow, and Left: Radical Activism in Los Angeles (UC Press). Laura Barraclough is Assistant Professor of Sociology at Kalamazoo College and the author of Making the San Fernando Valley: Rural Landscapes, Urban Development, and White Privilege. Wendy Cheng is Assistant Professor of Asian Pacific American Studies and Justice & Social Inquiry at Arizona State University.

Most helpful customer reviews

19 of 20 people found the following review helpful.
A must-read for the alternative tourist
By Michael S. Murashige
There are likely few cities that have been more examined or described in the pages of the tour guide genre than Los Angeles. A simple Amazon search gives you over 1,400 travel books on Los Angeles, many of which are excellent companions to a trip to the Nuestra Señora la Reina de los Ángeles del Río de Porciúncula -- whether it be Hollywood Star guides, books on the strange and bizarre, on local hikes, eating in the city, and so forth. Still, in the pages of those fourteen-hundred or so books, you will not likely find a book anything like this one. In its pages, three Southern California natives (no transplants, however long) have dug into the full depth and breadth of Los Angeles history, from its humble beginnings as a small satellite to the settlement at the San Gabriel Mission, on through the boom years at the end of the 19th century, the war years, and on toward the present.

The book is broken into six regions, which is a good thing, since sprawl has meant that there are simply no easy ways to "see it all" in any practical way. In addition, the book offers a number of "thematic" tours that bring together a number of the 112 sites into common groupings, like: the independent and alternative media tour or the queer politics and culture tour, or the economic restructuring and globalization tour. Along the way, the authors not only give a snapshot of historical events and the current use/condition of each site, but they provide suggestions for further exploration, nearby sites of interest, and even nearby eating recommendations.

A People's Guide to Los Angeles stands as an excellent specimen of alternative tourism, of local knowledge, of place-history from the bottom up. It may not be for the tourist who's headed first to Grauman's Chinese Theater, and then to the Santa Monica Pier, before heading out to Disneyland, but it'll serve those who are interested in finding out about the Los Angeles in which most of its 10 million inhabitants (in the county) reside, as well as a wealth of information about the fascinating path it has taken since its beginnings in 1771 by forty-four settlers, A People's Guide is an indispensable reference for the native Angeleno and world traveler alike.

10 of 11 people found the following review helpful.
The book I've been waiting for!
By R. Popuch
How to describe to friends and family in other parts of the U.S. (and world) what makes Los Angeles such a meaningful, wonderful, challenging, joyful place to live, after their minds have been jammed full of images of a "Los Angeles" that is actually some amalgamation of Beverly Hills, Malibu, and West Hollywood? How to make real and visible the past and on-going struggles for justice and liberation that makes LA the heart of so many of today's national and global peoples' movements? Why, A People's Guide to Los Angeles, of course!

A People's Guide to Los Angeles serves as an indispensable guidebook for the native Angelen@, the short-term visitor, and the newly-arrived-to-LA alike. Rich with history and images, it is a pleasure to read. Buy a copy for yourself and for a friend-- one who already loves Los Angeles, or does, and just doesn't know it yet.

5 of 6 people found the following review helpful.
Best travel guide
By C. Lee
Detailed history, good maps, and a social justice bent to it all. See the unspoken conflicts and landmarks throughout LA. Know your rights at the beaches near Malibu. See where people have fought for freedom and equality, not where John Travolta decided to eat a hamburger. My only wish is that they do this kind of guide for every major city in the US.

See all 9 customer reviews...

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## Free Ebook Manners and Mischief: Gender, Power, and Etiquette in JapanFrom University of California Press

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Offering a concise, entertaining snapshot of Japanese society, Manners and Mischief examines etiquette guides, advice literature, and other such instruction for behavior from the early modern period to the present day and discovers how manners do in fact make the nation. Eleven accessibly written essays consider a spectrum of cases, from the geisha party to gay bar cool, executive grooming, and good manners for subway travel. Together, they show that etiquette is much more than fussy rules for behavior. In fact the idiom of manners, packaged in conduct literature, reveals much about gender and class difference, notions of national identity, the dynamics of subversion and conformity, and more. This richly detailed work reveals how manners give meaning to everyday life and extraordinary occasions, and how they can illuminate larger social and cultural transformations.

• Sales Rank: #5622185 in Books
• Published on: 2011-04-21
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .88" w x 6.00" l, 1.20 pounds
• Binding: Hardcover
• 304 pages

Review
“With Manners and Mischief, as with their previous work, Bardsley and Miller demonstrate what commitment to serious fun can look like.” (Christine R. Yano Monumenta Nipponica 2011-06-01)

“Manners and Mischief disdains frivolity and stands firm as an academic text for students serious about extending their anthropological knowledge of Japan.” (Kris Kosaka Japan Times 2011-07-10)

From the Inside Flap
"Manners and Mischief is a cohesive, stimulating volume. Reading these essays and the editors' enlightening introduction was a joy: I learned a great deal, smiled and laughed with uncommon regularity, and marveled at the quality of this remarkable collection." -William M. Tsutsui, author of Godzilla on My Mind

"This book is full of fascinating insights. Well-written and often witty, it captures a detailed snapshot of Japanese society in the early 21st century. I would say this is the most insightful book on modern Japan I have read in years." -Liza Dalby, anthropologist and novelist

About the Author
Jan Bardsley, Associate Professor of Japanese Humanities at The University of North Carolina at Chapel Hill, is the author of The Bluestockings of Japan: New Women Essays and Fiction from Seito, 1911–1916. Laura Miller, Eiichi Shibusawa-Seigo Arai Professor of Japanese Studies and Professor of Anthropology at the University of Missouri-St. Louis, is the author of Beauty Up: Exploring Contemporary Japanese Body Aesthetics. Bardsley and Miller coedited Bad Girls of Japan.

Most helpful customer reviews

20 of 25 people found the following review helpful.
Well-done, but offensive in its own way
By A. J. Sutter
This book is very successful at what it set out to do, which is to look at Japanese "etiquette manuals and manners guides" from a gender studies perspective. All of the essays are readable, though some more jargon-filled or methodologically self-conscious than others (I'll return to this in a moment). All of them also include the interesting or amusing factoids that one has come to expect from books about Japanese popular culture. E.g., I hadn't known that geisha are more concerned at pleasing their _iemoto_ (teachers in various traditional arts) than their customers; and I also learned about an entertaining-sounding TV drama that aired shortly before I moved here. An essay about the evolution of guides for foreigners with advice for dealing (or not) with Japanese manners was especially interesting, and Laura Miller's essay on offensive behavior, which ends the book, was the most fun. The publisher has admirably included not only footnotes but a unified bibliography, which to boot includes translations of Japanese titles, some of which are entertaining in their own right (e.g., "The first date: Doing that is wrong! Wrooong! 100 quick hints" and "Anthology of office lady taboos"). Were I to consider this dimension of the book alone, I'd give it 4.5 stars. The half-point deduction is for the dearth of illustrations: only one out of the 11 essays has any at all. In several of the others we're treated to descriptions of various manga, advertisements or woodcuts -- it would have been more enlightening to have seen them directly.

Readers should be cautioned that, the blurbs notwithstanding, this book doesn't give a "snapshot of Japanese society in the early twenty-first century." First of all, some of the essays focus in whole or in part on much earlier periods, including the Heian, Tokugawa and Meiji eras. Second, the focus is on etiquette manuals, advice columns and other guides, NOT on actual behavior. As emphasized in an essay about the 2006 bestseller, _Josei no hinkaku_ (The dignity of the woman), readers may reject the advice given in even the most popular guidebooks. (Despite that book's huge sales, it received mostly negative reviews on Amazon.) And finally, this "snapshot" is filtered through the categories of postmodern gender studies. This means that "messages" are "mediated," "identities" are "constructed," "norms" are "challenged," "bodies" (or the "pursuit" thereof) are "encoded" as well as being both "sites and objects of consumption," etc.

To be fair, there are plenty of other books that deploy this sort of jargon more thickly. But for all the political correctness in the essays, many exhibit a sort of "orientalism" -- most often an orientalism of cute (see, e.g., the cover, and the use of the word "mischief") -- that pervades too many books about Japan. (BTW there is little or nothing about "mischief" in this book.) Cultural and gender studies scholars produce a flood of books and articles about Japanese manga, anime, toys, monsters, fractured English, teenage girls, "sneaker culture" and other trendy cultural capital. Yet why don't we see a similar stream of product from English-speaking scholars about, say Swedish popular culture, or Saudi Arabian, or German? Search on Amazon and you'll find a few, but nothing like the output there is for Japan; and most of it is far more serious and political, not cute, wacky or quirky.

This is not an innocuous trend. It has a distancing effect that labels Japan as more "other" than other societies, or even as a "toy" society not to be taken seriously. Example: shortly after the March 2011 earthquake and tsunami, the New York Times ran an op-ed purporting to explain contemporary Japanese attitudes toward nuclear power on the basis of 60-year-old monster movies. Would anyone dare to use similar reasoning to explain attitudes toward nukes in Germany, Switzerland or France? Actually, peoples' concerns about nukes here are pretty much the same as those of people in, say, Pennsylvania: they're worried about their kids, their health, and their ability to stay in their communities. Seen in this light, the book's PC jargon struck me as hypocritical. I admit that I rationalize consuming a fair number of these Japanese cultural studies books on the grounds of there being a practical benefit to my understanding the local culture; but reading this one I began to feel a little creepy for facilitating what postmodernists might call an "anti-postcolonialist" trend in scholarship -- and what the rest of us can call a patronizing one, however affectionate its practitioners may believe they are being. Another fraction of a star deduction (the blame for this hypocrisy should be spread around over lots of books, not concentrated on this one), for a net of four stars.

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# Free Ebook White Cube, Green Maze: New Art Landscapes, by Raymund Ryan

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Spanning four continents and six countries, this book introduces “new art landscapes” that fuse architecture, the reuse of found structures, environmentalism, and artistic experimentation. Through words and pictures, readers explore six institutions—Olympic Sculpture Park, Seattle, USA; Raketenstation Hombroich, near Neuss, Germany; Benesse Art Site in Naoshima, Japan; Inhotim, near Belo Horizonte, Brazil; Jardín Botánico, Culiacán, Mexico; and Grand Traiano Art Complex, Grottaferrata, Italy—dedicated to the experience of culture and nature. Integrating vegetation and non-linear sequences of spaces, the sites offer multiple experiences enticing the visitor to circulate between and within buildings.

Iwan Baan, one of today’s most influential architectural photographers, thoughtfully documents each project. In addition to his stunning images, the sites are depicted with architects’ plans and sketches, historical photographs, and maquettes and sketches by key installation artists. Raymund Ryan’s insightful essay discusses important historical precedents and considers the defining characteristics of “new art landscapes” through descriptions of each of the projects. Brian O’Doherty offers an artist’s critical perspective, while Marc Treib situates the projects in the history of landscape design Architects under consideration include such established masters as Tadao Ando and Álvaro Siza Vieira as well as emerging practices such as Tatiana Bilbao and Johnston Marklee.

• Sales Rank: #2429909 in Books
• Brand: Brand: University of California Press
• Published on: 2012-09-30
• Original language: English
• Number of items: 1
• Dimensions: 11.00" h x .60" w x 10.00" l, 2.20 pounds
• Binding: Hardcover
• 120 pages

Features

• Used Book in Good Condition

Review
"A look at six art venues around the world that break the mold (with the Olympic Sculpture Park included)."--"Seattle Times"

"[Explores] the idea of taking the museum out of doors and weaving art into a natural or constructed landscape."--"Form"

"Smart, handsomely illustrated. . . . Raymund Ryan has gathered a visual feast of institutions that illustrate the future of museums."--"Pittsburgh Post-Gazette"

"These locations not only offer opportunities for curators, architects, and landscape architects to consider relationships between the various areas of focus, they give artists unconventional venues for creating and displaying art."--"Archidose"

[Represents] a departure from the traditional museum gallery space, as well as from expectations of how a gallery should be experienced."--"Artdaily.org"

"Ryan not only proposes a move away from traditional curation, but a move toward a more democratic museum typology, a model in which architecture, art, and nature hold equal clout in an aesthetic experience. The viewer is encouraged to roam and discover in the Green Maze. And for the museums of the future, a new form may lie at the end of these labyrinths."--Anna Fixsen"Architectural Record" (09/12/2013)

About the Author
Raymund Ryan is Curator at the Heinz Architectural Center. He is the author of Cool Construction, Michael Maltzan: Alternate Ground, and Gritty Brits: New London Architecture.

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0 of 0 people found the following review helpful.
Inspiration for any creative mind
By Roberto de Alba
This book is a wonderful source of inspiration for architects, artists, landscape architects and for any creative person. The book took me back to my architecture school days, when one would seek inspiration at the library or the bookstore, not on the Web. Land Art was high on our list of inspirational foods, and works like Spiral Jetty by Robert Smithson were the highest expresion of creative freedom for those of us bound by the pragmatism of buildings. In today's world of internet-instant-gratification, this book stands as a powerful document capable of stimulating our creative juices. I highly recommended.

0 of 0 people found the following review helpful.
White Cube, Green Maze: New Landscapes
By ann videriksen
I suspect this book will be around for a very long time and inspire travelers as well as architects and landscape architects. A very interesting inclusive look at significant installations in the natural landscape around the world. I found it especially helpful as I was planning a trip to Naoshima and other islands in the Inland Sea of Japan. Very evocative and inspired writing, beautifully illustrated.

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What does it mean for film and video to be experimental? In this collection of essays framed by the concept “ex-”—meaning from, outside, and no longer—Akira Mizuta Lippit explores the aesthetic, technical, and theoretical reverberations of avant-garde film and video. Ex-Cinema is a sustained reflection on the ways in which experimental media artists move outside the conventions of mainstream cinema and initiate a dialogue on the meaning of cinema itself.

• Sales Rank: #1614857 in Books
• Brand: Brand: University of California Press
• Published on: 2012-09-30
• Original language: English
• Number of items: 1
• Dimensions: 9.02" h x .46" w x 5.98" l, .65 pounds
• Binding: Paperback
• 201 pages

Features

• Used Book in Good Condition

From the Inside Flap
“Ex-Cinema offers lucid and mesmerizing readings of a broad spectrum of avant-garde films and videos, ranging from Derek Jarman’s Blue to Martin Arnold’s and Matthias Müller’s very different found footage works, from Maya Deren to structural film, and from Su Friedrich’s performative autobiographies to Diane Thater’s zoo videos. Lippit’s passion for addressing the philosophical implications of experimental film and video is as astounding as it is laudable.” —Roy Grundmann, author of Andy Warhol’s Blow Job



“In this collection of brilliant essays on avant-garde film and video, Akira Lippit manifests a precise intelligence and a critical acumen that stretch our understanding of cinema. Invoking the concept of ‘Ex-Cinema,’ he produces an intricate chain of questions that challenge conventional notions of interiority and exteriority, medium specificity, and narratives of the self. Lippit’s writing resonates with the affective impact of the works he discusses—from Derek Jarman’s Blue to Jacques Derrida’s work on blindness and the spectral. This is a dazzling tour through a series of provocative and groundbreaking works.” —Mary Ann Doane, author of The Emergence of Cinematic Time: Modernity, Contingency, the Archive

About the Author
Akira Mizuta Lippit is Professor of Cinematic Arts, Comparative Literature, and East Asian Languages and Cultures at the University of Southern California. He is on the board of Film Quarterly, and is author of Atomic Light (Shadow Optics) and Electric Animal: Toward a Rhetoric of Wildlife.

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In this exposé Sydney L. Iaukea ties personal memories to newly procured political information about Hawaii’s crucial Territorial era. Spurred by questions surrounding intergenerational property disputes in her immediate family, she delves into Hawaii’s historical archives. There she discovers the central role played by her great-great-grandfather in the politics of late-nineteenth- and early-twentieth-century Hawaii—in particular, Curtis P. Iaukea’s trusted position with the Hawaiian Kingdom’s last ruling monarch, Queen Liliuokalani. As Iaukea charts her ancestor’s efforts to defend a culture under siege, she reveals astonishing legal and legislative maneuvers that show us how capitalism reshaped cultural relationships. She finds resonant parallels and connections between her own upbringing in Maui’s housing projects, her family’s penchant for hiding property, and the Hawaiian peoples’ loss of their country and lands.

• Sales Rank: #4682346 in Books
• Published on: 2011-11-01
• Original language: English
• Number of items: 1
• Dimensions: 9.02" h x .63" w x 5.98" l, .92 pounds
• Binding: Hardcover
• 224 pages

Review
"A gripping and revelatory read, endowed with all the trappings of romance, melodrama and ghost story."--"Honolulu Weekly"

"The sensibility and lyricism shared by author and ancestor . . . inform their mutual desire to illuminate history and right wrongs."--"Ka Wai Ola"

From the Inside Flap
"The Queen and I will be a very important contribution to historical and political literature on early twentieth century Hawai'i. But through its intensely personal narrative, it could have an even greater impact on the way people look at history. Sydney Iaukea weaves archival information into a story about a well-known historical figure while demonstrating the impact of these archival voices on herself. In this way she binds herself to her ancestor and allows him to speak through her, showing how an ancient value can be a new methodology for Native writers in indigenous studies."

—Jonathan Kay Kamakawiwo’ole Osorio, author of Dismembering Lahui: A History of the Hawaiian Nation to 1887



“Raised in Maui’s housing projects, Sydney Iaukea discovers as an adult that she is the direct descendent of Curtis P. Iaukea, a prominent statesman and trusted adviser to Queen Lili’uokalani, the Hawaiian Kingdom’s last ruling monarch. In this courageous work, she documents her dual quest to recover her lost lineage and her ancestor’s historical importance. Revealing the continuity between public and private, personal and historical, Sydney Iaukea’s compelling narrative brings her readers face-to-face with Lili’uokalani during the tragic days of her overthrow.”

—Mary Palevsky, author of Atomic Fragments: A Daughter's Questions



“For those of us born and raised in Hawai'i, Sydney Iaukea's work sheds light on a period of time about which we still know too little, the overthrow of Hawai’i’s sovereign government and its forcible annexation to the U.S. This is a compelling narrative, driven by the mystery of a girl growing up poor, unaware of her distinguished lineage. How could this disconnect have occurred? Through the exploration of memories embedded in the landscape, Iaukea ultimately links displacement, dispossession, and familial strife to Hawai'i's troubled history with the U.S. Iaukea is to be commended for her honest and open heart.”

—Matthew M. Hamabata, Executive Director, The Kohala Center

About the Author
Sydney L. Iaukea holds a Ph.D. in political science with a specialty in Hawai?i politics. She is a dedicated community member, instructor, and avid surfer.

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5 of 5 people found the following review helpful.
A story that needed telling
By Monica
Sydney Iaukea's book about her ancestor's role in the life (and death) of Queen Liliuokalani is a must read for those interested in Hawaii's past. For anyone who may be on the fence about purchasing this book, let me say that it is not everyday that someone discovers that boxes and boxes of uncataloged documents of their ancestor sit in the basement of a state archives building. It is truly a wild ride to be reading information found in these long forgotten documents!

Sydney's book is part self-discovery and part historical perspective of what took place nearly one-hundred years ago---a kind of "behind the scenes" look at what went on in the queen's life shortly after U.S. annexation, and the years leading up to her death in 1917. Who could the queen trust? Could she trust Curtis P. Iaukea, one of her advisors and a trustee of her estate? READ THE BOOK

1 of 1 people found the following review helpful.
Queen and I
By NeysaZ
An excellent read on the Hawaiian state history. Written by someone who researched to find out about her family, and to come up with so much inside information on the Queen - outstanding. I knew the US businessmen stole Hawaii from its people, but I did not know the extent of the damage done to the Queen and her family. A fascinating, true, story.

0 of 0 people found the following review helpful.
Five Stars
By Nana
another book of amazing history

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> Ebook The Missionary's Curse and Other Tales from a Chinese Catholic Village (Asia: Local Studies / Global Themes), by Henrietta Harrison

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The Missionary’s Curse tells the story of a Chinese village that has been Catholic since the seventeenth century, drawing direct connections between its history, the globalizing church, and the nation. Harrison recounts the popular folk tales of merchants and peasants who once adopted Catholic rituals and teachings for their own purposes, only to find themselves in conflict with the orthodoxy of Franciscan missionaries arriving from Italy. The village’s long religious history, combined with the similarities between Chinese folk religion and Italian Catholicism, forces us to rethink the extreme violence committed in the area during the Boxer Uprising. The author also follows nineteenth century Chinese priests who campaigned against missionary control, up through the founding of the official church by the Communist Party in the 1950s. Harrison’s in-depth study provides a rare insight into villager experiences during the Socialist Education Movement and Cultural Revolution, as well as the growth of Christianity in China in recent years. She makes the compelling argument that Catholic practice in the village, rather than adopting Chinese forms in a gradual process of acculturation, has in fact become increasingly similar to those of Catholics in other parts of the world.

• Sales Rank: #218024 in Books
• Brand: Brand: University of California Press
• Published on: 2013-06-01
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .70" w x 6.00" l, .92 pounds
• Binding: Paperback
• 296 pages

Features

• Used Book in Good Condition

Review
"Harrison's deep familiarilty with China allows her to see connections between her specific narrative and the bigger thread of how China has been confronted with the outside world for the past two centuries. More than most other books I've read on China in recent years, it's one that rings true..."--Ian Johnson"The New York Review of Books" (02/20/2014)

"This outstanding study of Cave Gully Catholics is a breath of fresh air ... Meritoriously researched andeasily accessible, "The Missionary s Curse" should appeal to anyone interested in the intersection of faith and culture, religion and politics, and gender and patriarchy in China."--Joseph Tse-Hei Lee"China Information" (11/01/2014)"

"There is no book on Chinese Christianity quite like this absorbing and thought-provoking study."--Ryan Dunch"Harvard Journal of Asiatic Studies" (12/01/2014)

From the Inside Flap
“Through a brilliant analysis of Catholicism in one remote village, Harrison leads us to rethink much of the last three centuries of China’s history. Her series of beautifully written narratives challenges not just our usual understanding of Christianity’s reception, but the entire way we think about how local places fit into national and global networks of culture and trade.” —Robert P. Weller, co-author of Rethinking Pluralism: Ritual, Experience and Ambiguity

“This is one of the most fascinating books on Christianity in China that I have ever read. By following the history of one Catholic village over more than three hundred years, Henrietta Harrison convincingly shows how Chinese Christians sought authenticity as members of a transnational and global community.” —Nicolas Standaert, author of The Interweaving of Rituals

"Harrison has written an ethnographic history that will be a model for future researchers. She has linked archival research (in the Vatican's vast collections) with on-the-spot investigations of villages in north China. None of this work is easy, but the results are spectacularly successful. This is a must read for anyone interested in Chinese social history." —James L. Watson, Fairbank Professor of Chinese Society and Professor of Anthropology Emeritus, Harvard University

About the Author
Henrietta Harrison is professor of modern Chinese studies at Oxford University. Among her books are The Man Awakened from Dreams: One Man’s Life in a North China Village, 1857-1942 and The Making of the Republican Citizen: Ceremonies and Symbols in China.

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0 of 1 people found the following review helpful.
This book challenges many assumptions about missionaries in China. ...
By PT McGuire
This book challenges many assumptions about missionaries in China. I am most grateful for what Harriet Harrison has contributed to my understanding of the Catholic Church in China.

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Chronicling the fifteenth and sixteenth centuries and journeying from the Piazza San Marco to the villas of the Veneto, this vivid and authoritative survey of architecture, sculpture, and painting offers a rich perspective on the history and artistic achievements of Renaissance Venice. Distinguished scholar Loren Partridge examines the masterpieces of Venice’s urban design, civic buildings, churches, and palaces within their distinctive cultural and geographic milieus, exploring issues of function, style, iconography, patronage, and gender. Readers will also discover fascinating in-depth analyses of major works of such artists as Giovanni Bellini, Carpaccio, Giorgione, Palladio, Tintoretto, Titian, and Veronese. Designed to appeal to students and travelers alike, this essential guide to the art and architecture of Renaissance Venice brings La Serenissima to life as never before.

• Sales Rank: #344277 in Books
• Brand: Partridge, Loren
• Published on: 2015-03-14
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .80" w x 10.00" l, .0 pounds
• Binding: Paperback
• 372 pages

Review
"Delightful and convenient . . . rich and readable . . . A valuable contribution and a model piece of art historical synthesis, the text is as well written as the project is deftly conceived."--P. Emison"CHOICE" (09/01/2015)

From the Inside Flap
“Thorough, thoughtful, and engaging, Art of Renaissance Venice 1400–1600 offers an exacting survey of art and architecture in Venice across two extraordinary centuries. Working both chronologically and by genre, Loren Partridge situates Venetian art within its broader cultural, political, and religious context. The book will be a useful undergraduate teaching text, and it will also appeal to the general reader interested in learning more about a dynamic period in the history of Western art.” —Meryl Bailey, Mills College

“Like his surveys of Renaissance art in Rome and Florence, Loren Partridge’s new book on Venice is an unmatched landmark achievement: comprehensive, authoritative, beautifully illustrated, indispensable for anyone seriously interested in the art, architecture, and culture of Renaissance Venice.” —Randolph Starn, Professor of History and Italian Studies, University of California, Berkeley

“Loren Partridge draws in the reader by bringing to life how these works would have been experienced, not just seen. This book takes us through streets, into chapels, over bridges, up grand stairways, into vast halls, and through small, domestic spaces. It shows us how the three-dimensional qualities of buildings—inside and out—would have structured the experiences and interactions of a period user, how paintings could engage in call-and-response across a room, and how sculptures could literally put viewers in their place.” —Patricia L. Reilly, Swarthmore College

About the Author
Loren Partridge is Professor Emeritus of Art History and Italian Studies at the University of California, Berkeley. His many books include Art of Renaissance Florence, 1400–1600; Michelangelo, "The Last Judgment": A Glorious Restoration; The Art of Renaissance Rome, 1400–1600; and Michelangelo: The Sistine Chapel Ceiling. He has been honored by Fulbright, Kress, Guggenheim, and Getty fellowships; grants from the American Academy in Rome and the Institute for Advanced Study in Princeton; and chairmanship of the departments of both History of Art and Art Practice at the University of California, Berkeley.

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