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Charles Mingus is among jazz’s greatest composers and perhaps its most talented bass player. He was blunt and outspoken about the place of jazz in music history and American culture, about which performers were the real thing (or not), and much more. These in-depth interviews, conducted several years before Mingus died, capture the composer’s spirit and voice, revealing how he saw himself as composer and performer, how he viewed his peers and predecessors, how he created his extraordinary music, and how he looked at race. Augmented with interviews and commentary by ten close associates—including Mingus’s wife Sue, Teo Macero, George Wein, and Sy Johnson—Mingus Speaks provides a wealth of new perspectives on the musician’s life and career.
As a writer for Playboy, John F. Goodman reviewed Mingus’s comeback concert in 1972 and went on to achieve an intimacy with the composer that brings a relaxed and candid tone to the ensuing interviews. Much of what Mingus shares shows him in a new light: his personality, his passions and sense of humor, and his thoughts on music. The conversations are wide-ranging, shedding fresh light on important milestones in Mingus’s life such as the publication of his memoir, Beneath the Underdog, the famous Tijuana episodes, his relationships, and the jazz business.
- Sales Rank: #1321366 in Books
- Brand: University of California Press
- Published on: 2013-05-20
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x 1.00" w x 6.00" l, 1.35 pounds
- Binding: Hardcover
- 350 pages
- Used Book in Good Condition
From Booklist
Longtime jazz writer Goodman maintained a relationship with protean composer and bassist Charles Mingus during the last decade of the controversial musician’s life (he died in 1979) and conducted interviews with Mingus (albeit with the interviewer often too intrusive and Mingus often turning the questions inside out), his wife, Sue; and a number of musical and personal associates. Goodman had long contemplated publishing a book, which, after several transformations, has evolved into this oddly organized but invaluable volume. The tempestuous (iconoclastic, contentious, contradictory, infuriating) Mingus was sui generis as a musician and as an individual. His speaking style, presented here in as-good-as-it’s-possible-to-get transcriptions, was as singular as his musical voice, and jazz lovers have not heretofore been able to hear it this purely. Mingus’ own memoir, Beneath the Underdog (1971), though a staple, is famously unreliable, making this present addition to the jazz library, including Mingus on the history and theory of music, the business, the so-called avant-garde, race, sex, and his forerunners and contemporaries, all the more essential. --Mark Levine
Review
"Makes for fascinating reading."--Jack Shakely"Foreword Reviews" (06/01/2013)
From the Inside Flap
"I was privileged to be a close friend of the magnetically original composer, bassist, and leader CharlesMingus, whose deeply energizing music has never left me and many, many others around the world. Mingus was singularly absorbing off the stand and now in this historic book Mingus Speaks, primarily a series of interviews by John Goodman, who as we see is a listener to the music burning to be a soul mate of Charles Mingus as this book proceeds.
The multidimensional inner Mingus who created what he called, not jazz—jazz he said to me once was too limited a description—he created what he called ‘Mingus music.’ And much of the material here, in the book, has never been available before. For it so reveals and multi-dimensionally explains much of the music, and as long as there is jazz, Mingus speaks for the enthralling listeners around the world and—and I mean this—as they become his music. A book unlike any I’ve seen on the history of jazz.” —Nat Hentoff, author of At the Jazz Band Ball: Sixty Years on the Jazz Scene
“In words as in music, Mingus could erupt like a geyser speaking in tongues. These interviews let you experience his volatile, high-pressure flow of acute insights and outrageous conjectures.” —Gene Santoro, author of Myself When I Am Real: The Life and Music of Charles Mingus
"There are many Mingus voices in these interviews: poet, prophet, prolix raconteur, anguished, sometimes angry artist. The early '70s was a dark period in Charles' life and career, a time when he had stopped composing and was trying to find his way—here through the torrents and thickets of language." —Sue Mingus
Most helpful customer reviews
9 of 9 people found the following review helpful.
Mingus Speaks
By Renetta DeBlase
I thoroughly enjoyed reading John Goodman's publication about interviews he conducted with Charles Mingus between 1972 and 1974, a difficult but very productive period in the artist's life. The author recorded his interviews totalling about 24 hours in New York restaurants, clubs, bars and the artist's home and asks the artist to comment about his music, musical training, upbringing during a difficult time in American history, personal difficulties and above all asks the artist to comment on the jazz world and various aspects of this beautiful genre: the critics, the difficulty in getting recorded, the danger of some of the jazz club managers and owners, and above all Mingus' great talent and love of music is revealed in his own words. Mingus was ahead of his time in that he wanted jazz to be respected as an art form and he wanted to establish a music school, much like the Duke Ellington School of the Arts in Washington, DC, where inner city children as well as gifted children of all backgrounds can receive a classical training in the arts and be able to accomplish great things as musicians, writers, dancers, etc. So much of his wishes have become a reality and it is important to listen to Mingus' music and keep his name alive, which is always an artist's wish. He died much too early and was truly a jazz musician of the golden era of jazz. Mingus Speaks can be used as a reference in university music departments and African American studies departments and the author knows jazz, having been a music critic and reviewer for Playboy magazine for many years and a great jazz fan.
Mingus Speaks is a worthwhile book to purchase and I recommend it.
Renetta DeBlase, author of With Stars in My Eyes, also available on amazon.
5 of 5 people found the following review helpful.
A Bit More Editing But an Important Resource
By Rick
I read an article recently that was a synopsis and glimpse of this book and it really got my attention. Years ago I read the Mingus autobiography "Beneath the Underdog" which by comparison is a page turner. I've also used in my own book portions of interviews Mingus had done with the founder of Atlantic Records and found these conversations fascinating, illuminating and a real doorway into what made Mingus tick. Since I've always been drawn to much of Mingus' music I was naturally anxious to read this new book after reading the article. I'm afraid the pages are a bit harder to turn in this book simply because it is a collection of interviews with Mingus, who was known to get off topic and ramble at times. The author has done some organizing and editing I believe, but it can become dense reading and at times redundant since Mingus often returns in his ramblings to ground he often treads. It is certainly an important book for any Mingus fan or jazz scholar to have on their shelf, but I feel it could stand a bit more editing, which I know would defeat the authors objective, but would make the book a bit easier to digest and I believe still accomplish the overall goal.
5 of 5 people found the following review helpful.
Mingus Speaks
By Tom Feher
A page turner, no, but an absolutely fascinating account of a gargantuan personality, talent and genius who was also a very fragile and sensitive human being. What other "contemporary" musician could speak the sentence: "I feel a divine connection with eternal life when I write".
I guess in today's world we would label him bipolar and make him a poster child or something, but he was and continues to be an enormous influence in the world of jazz. It took Goodman a long time to come out with the book; I'm glad he stuck with it. I would recommend it to any music lover or to anyone interested in a biography of an icon.
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