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Offering a concise, entertaining snapshot of Japanese society, Manners and Mischief examines etiquette guides, advice literature, and other such instruction for behavior from the early modern period to the present day and discovers how manners do in fact make the nation. Eleven accessibly written essays consider a spectrum of cases, from the geisha party to gay bar cool, executive grooming, and good manners for subway travel. Together, they show that etiquette is much more than fussy rules for behavior. In fact the idiom of manners, packaged in conduct literature, reveals much about gender and class difference, notions of national identity, the dynamics of subversion and conformity, and more. This richly detailed work reveals how manners give meaning to everyday life and extraordinary occasions, and how they can illuminate larger social and cultural transformations.
- Sales Rank: #1361945 in Books
- Published on: 2011-04-21
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .70" w x 6.00" l, .90 pounds
- Binding: Paperback
- 304 pages
Review
"With Manners and Mischief, as with their previous work, Bardsley and Miller demonstrate what commitment to serious fun can look like."--Christine R. Yano"Monumenta Nipponica" (06/01/2011)
"Manners and Mischief disdains frivolity and stands firm as an academic text for students serious about extending their anthropological knowledge of Japan."--Kris Kosaka"Japan Times" (07/10/2011)
With Manners and Mischief, as with their previous work, Bardsley and Miller demonstrate what commitment to serious fun can look like. --Christine R. Yano"Monumenta Nipponica" (06/01/2011)"
Manners and Mischief disdains frivolity and stands firm as an academic text for students serious about extending their anthropological knowledge of Japan. --Kris Kosaka"Japan Times" (07/10/2011)"
From the Inside Flap
"Manners and Mischief is a cohesive, stimulating volume. Reading these essays and the editors' enlightening introduction was a joy: I learned a great deal, smiled and laughed with uncommon regularity, and marveled at the quality of this remarkable collection." -William M. Tsutsui, author of Godzilla on My Mind
"This book is full of fascinating insights. Well-written and often witty, it captures a detailed snapshot of Japanese society in the early 21st century. I would say this is the most insightful book on modern Japan I have read in years." -Liza Dalby, anthropologist and novelist
About the Author
Jan Bardsley, Associate Professor of Japanese Humanities at The University of North Carolina at Chapel Hill, is the author of The Bluestockings of Japan: New Women Essays and Fiction from Seito, 1911–1916. Laura Miller, Eiichi Shibusawa-Seigo Arai Professor of Japanese Studies and Professor of Anthropology at the University of Missouri-St. Louis, is the author of Beauty Up: Exploring Contemporary Japanese Body Aesthetics. Bardsley and Miller coedited Bad Girls of Japan.
Most helpful customer reviews
20 of 25 people found the following review helpful.
Well-done, but offensive in its own way
By A. J. Sutter
This book is very successful at what it set out to do, which is to look at Japanese "etiquette manuals and manners guides" from a gender studies perspective. All of the essays are readable, though some more jargon-filled or methodologically self-conscious than others (I'll return to this in a moment). All of them also include the interesting or amusing factoids that one has come to expect from books about Japanese popular culture. E.g., I hadn't known that geisha are more concerned at pleasing their _iemoto_ (teachers in various traditional arts) than their customers; and I also learned about an entertaining-sounding TV drama that aired shortly before I moved here. An essay about the evolution of guides for foreigners with advice for dealing (or not) with Japanese manners was especially interesting, and Laura Miller's essay on offensive behavior, which ends the book, was the most fun. The publisher has admirably included not only footnotes but a unified bibliography, which to boot includes translations of Japanese titles, some of which are entertaining in their own right (e.g., "The first date: Doing that is wrong! Wrooong! 100 quick hints" and "Anthology of office lady taboos"). Were I to consider this dimension of the book alone, I'd give it 4.5 stars. The half-point deduction is for the dearth of illustrations: only one out of the 11 essays has any at all. In several of the others we're treated to descriptions of various manga, advertisements or woodcuts -- it would have been more enlightening to have seen them directly.
Readers should be cautioned that, the blurbs notwithstanding, this book doesn't give a "snapshot of Japanese society in the early twenty-first century." First of all, some of the essays focus in whole or in part on much earlier periods, including the Heian, Tokugawa and Meiji eras. Second, the focus is on etiquette manuals, advice columns and other guides, NOT on actual behavior. As emphasized in an essay about the 2006 bestseller, _Josei no hinkaku_ (The dignity of the woman), readers may reject the advice given in even the most popular guidebooks. (Despite that book's huge sales, it received mostly negative reviews on Amazon.) And finally, this "snapshot" is filtered through the categories of postmodern gender studies. This means that "messages" are "mediated," "identities" are "constructed," "norms" are "challenged," "bodies" (or the "pursuit" thereof) are "encoded" as well as being both "sites and objects of consumption," etc.
To be fair, there are plenty of other books that deploy this sort of jargon more thickly. But for all the political correctness in the essays, many exhibit a sort of "orientalism" -- most often an orientalism of cute (see, e.g., the cover, and the use of the word "mischief") -- that pervades too many books about Japan. (BTW there is little or nothing about "mischief" in this book.) Cultural and gender studies scholars produce a flood of books and articles about Japanese manga, anime, toys, monsters, fractured English, teenage girls, "sneaker culture" and other trendy cultural capital. Yet why don't we see a similar stream of product from English-speaking scholars about, say Swedish popular culture, or Saudi Arabian, or German? Search on Amazon and you'll find a few, but nothing like the output there is for Japan; and most of it is far more serious and political, not cute, wacky or quirky.
This is not an innocuous trend. It has a distancing effect that labels Japan as more "other" than other societies, or even as a "toy" society not to be taken seriously. Example: shortly after the March 2011 earthquake and tsunami, the New York Times ran an op-ed purporting to explain contemporary Japanese attitudes toward nuclear power on the basis of 60-year-old monster movies. Would anyone dare to use similar reasoning to explain attitudes toward nukes in Germany, Switzerland or France? Actually, peoples' concerns about nukes here are pretty much the same as those of people in, say, Pennsylvania: they're worried about their kids, their health, and their ability to stay in their communities. Seen in this light, the book's PC jargon struck me as hypocritical. I admit that I rationalize consuming a fair number of these Japanese cultural studies books on the grounds of there being a practical benefit to my understanding the local culture; but reading this one I began to feel a little creepy for facilitating what postmodernists might call an "anti-postcolonialist" trend in scholarship -- and what the rest of us can call a patronizing one, however affectionate its practitioners may believe they are being. Another fraction of a star deduction (the blame for this hypocrisy should be spread around over lots of books, not concentrated on this one), for a net of four stars.
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