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Peter Selz: Sketches of a Life in Art, by Paul J. Karlstrom
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This absorbing biography, often conveyed through Peter Selz’s own words, traces the journey of a Jewish-German immigrant from Hitler’s Munich to the United States and on to an important career as a pioneer historian of modern art. Paul J. Karlstrom illuminates key historical and cultural events of the twentieth-century as he describes Selz’s extraordinary career—from Chicago’s Institute of Design (New Bauhaus), to New York’s Museum of Modern Art during the transformative 1960s, and as founding director of the University Art Museum at UC Berkeley. Karlstrom sheds light on the controversial viewpoints that at times isolated Selz from his colleagues but nonetheless affirmed his conviction that significant art was always an expression of deep human experience. The book also links Selz’s long life story—featuring close relationships with such major art figures as Mark Rothko, Dore Ashton, Willem de Kooning, Sam Francis, and Christo—with his personal commitment to political engagement.
- Sales Rank: #1318848 in Books
- Published on: 2012-01-02
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x 1.00" w x 6.00" l, 1.25 pounds
- Binding: Hardcover
- 321 pages
Review
"Life is short, art is long, but sometimes it's the other way, too."--"San Francisco Chronicle"
"With Selz at the helm, the Berkeley Art Museum redefined many aspects of modern art and brought overdue attention to California artists."--"Berkeleyside"
"California art enthusiasts and libraries will especially appreciate this detailed and well-researched, scholarly book."--"Library Journal"
"A fascinating account of an individual who has made many contributions to art history."--"Washington Ind Rev of Bks"
"An intellectual bildungsroman recounting a life in art that never stopped evolving."--"Artillery"
"A paean to a man who is both vastly experienced and eternally youthful in his outlook."--"Huffington Post"
"Like a moving still life. . . . Peter Selz was a great subject, and Karstrom matched him with a great biography."--Wayne Andersen"European Legacy" (01/16/2013)
"A captivating story. . . . This Selz biography offers not only a study into the life of a renowned art figure but also an analysis of the art world of the twentieth century as a whole."--Kate Sowada"Oral History Review" (09/01/2013)
Like a moving still life. . . . Peter Selz was a great subject, and Karstrom matched him with a great biography. --Wayne Andersen"European Legacy" (01/16/2013)"
"A captivating story. . . . ThisSelz biography offers not only a study into the life of a renowned art figure butalso an analysis of the art world of the twentieth century as a whole."--Kate Sowada"Oral History Review" (09/01/2013)"
From the Inside Flap
“Peter Selz's experience and energy in the art world have led to important and challenging museum shows, and his work with Jeanne-Claude and me helped realize the Running Fence in 1976. I am happy his story is being told in this book.”
—Christo
“The extraordinary career of one of the most energetic and, above all, creative figures in twentieth century art history is deftly described in this essential book.”—Dore Ashton, author of A Fable of Modern Art
“In Sketches of a Life in Art, it's clear that Peter Selz uniquely sees painting as if from within the artist himself, not as an outside observer (as when he describes the ‘internal look’ of a Mark Rothko painting). And a moving Life it is.”—Lawrence Ferlinghetti, Poet Laureate of San Francisco and author of How to Paint Sunlight
“Engaging and delightful, this book offers its readers a succession of alternative histories of modern and contemporary art, ranging from George Grosz to William Kentridge, looping back to bring in Robert Rauschenberg and Sam Francis, among many others. All reimagined in Peter Selz's ambitious curatorial imagination to delve into the moment and discover. . .classical tradition. Perhaps only Paul Karlstrom, with forty years behind him using oral history to recover the hidden stories of twentieth-century art, could have followed the mirrors and mazes of Peter Selz's career and told a story both clear and amazing. Readers will share the delight that Karlstrom discovers in his subject.”—Richard Candida Smith, author of The Modern Moves West: California Artists and Democratic Culture in the Twentieth Century
About the Author
Paul J. Karlstrom, former West Coast Regional Director of the Smithsonian’s Archives of American Art, is the editor of On the Edge of America: California Modernist Art, 1900–1950 (UC Press) and a co-editor of Asian American Art: A History, 1860–1970. He is coauthor of Turning the Tide: Early Los Angeles Modernists, 1920–1956 and author of Raimonds Staprans: Art of Tranquility and Turbulence.
Most helpful customer reviews
3 of 3 people found the following review helpful.
The Art of Yesterday -- Or Almost Yesterday
By Frederick Jordan
Mark Rothko, Willem de Kooning, Max Beckmann--do these names sound familiar? If your remembrance of Art History 101 is a bit faulty, just buy a copy of this new book by Paul J. Karlstrom for a refresher course, like nothing you ever had in the classroom. It follows the life of Peter Selz, one of the gray eminences in the world of late 20th century art. He was not a maker of things but a historian, curator, teacher and critic of them. This fluent and seamless read carries the reader on a transatlantic and transcontinental journey as it traces Selz' journey from his youth in Munich, his escape to New York in the mid-30s, and the establishment of his bona fides as a critic with a major publication on German Expressionist artists. But lest you think this a dry slide show of the "modern," Selz was a figure who was both iconoclastic and yet a thoroughgoing insider, capping the first part of his career with the sweet job of curator of modern painting at the Museum of Modern Art. Well, the story continues--he went to California and became director of the art museum at Berkeley, and he wound up championing California art (very un-New Yorkish) and artists. Eventually he left Cal, as he did MOMA, in circumstances that would liven up the dinner table, and continued (and continues) putting on exhibitions of underappreciated artists in the Bay Area. Karlstrom was the premier oral historian of art for the Smithsonian Institution and this biography draws on his skill as an interviewer, not just of Selz but of the numerous people Selz interacted with in his long and notable career. This is a book not just about the making of art, but about the selling of it, about museums and universities and galleries, and the enormously talented and driven people that inhabit that world. The author builds a stage portrait of one of the machers in that world, and at the same time slyly pulls the curtain back to show a bit of the scaffolding and the props all lying slightly awry.
2 of 2 people found the following review helpful.
Pomona College gave birth to a legend
By William J. Havlicek, PhD
As a Claremont University graduate I am well acquainted with our sister college Pomona and of its legendary role in Peter Selz's career.
The sketches of his life include important events that transpired at Pomona, Berkeley and beyond. But the important thing is not only
the context and its local lore but of Peter himself. Not a perfect man (and there are none) what stands out for me is his humanity and
compassion for the underdog. Having survived the holocaust he became well aware of how precarious life can be. It was this precious knowledge
that kept him in the arts and allowed him to understand the truth embodied in German Expressionist painting. Peter is one of those leaders in art
who reflect the moral call to tell the truth about the human condition. That condition is a universal reality for all humankind with its suffering,
distancing and tendency to despair. All the same art that arises from that condition (such as German Expressionism) rivets the heart and reminds us
as Peter Selz has repeatedly done of the soul that resonates in truth-telling. This book is important because it reminds us in yet another way
of why art is important and timeless. William J. Havlicek PhD
3 of 4 people found the following review helpful.
It Whets the Appetite for More
By Sara E. Heath
Curator and historian Peter Selz, who is now in his early 90s, has long been a powerful figure in the art world, but this biography by Paul J. Karlstrom will further extend his reach. It would provide a wonderful foundation for a college-level course on the history of contemporary art.
If you have ever wondered by what means and by whom great artists and important movements are identified, this book provides wonderful insight. As it rolls through the story of Selz's life in New York and California and the important role he played in defining and staging greatness, it whets the appetite to learn more about the artists and the movements that represent important signposts in the evolution of human consciousness.
Peter Selz was an extraordinary person with a very large and somewhat controversial life, all of which is addressed here with meticulous objectivity as well as candor in a style that is extremely engaging as well as polished. This is a splendid work of scholarship and sensitivity, one that could create a new and enduring interest in contemporary art--in art in general.
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