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Why Jazz Happened is the first comprehensive social history of jazz. It provides an intimate and compelling look at the many forces that shaped this most American of art forms and the many influences that gave rise to jazz’s post-war styles. Rich with the voices of musicians, producers, promoters, and others on the scene during the decades following World War II, this book views jazz’s evolution through the prism of technological advances, social transformations, changes in the law, economic trends, and much more.
In an absorbing narrative enlivened by the commentary of key personalities, Marc Myers describes the myriad of events and trends that affected the music's evolution, among them, the American Federation of Musicians strike in the early 1940s, changes in radio and concert-promotion, the introduction of the long-playing record, the suburbanization of Los Angeles, the Civil Rights movement, the “British invasion” and the rise of electronic instruments. This groundbreaking book deepens our appreciation of this music by identifying many of the developments outside of jazz itself that contributed most to its texture, complexity, and growth.
- Sales Rank: #938038 in Books
- Brand: Brand: University of California Press
- Published on: 2012-12-10
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .88" w x 6.00" l, 1.12 pounds
- Binding: Hardcover
- 266 pages
- Used Book in Good Condition
Most helpful customer reviews
16 of 17 people found the following review helpful.
A Cultural History of Jazz (or How Jazz Didn't Occur in a Vacuum)
By Kevin Currie-Knight
Why Jazz Happened is not your typical history of jazz. You won't get long biographies of Coltrane, Davis, and Monk. You won't get in-depth analyses of great songs, albums, or soloists. What you will get is the story of how cultural, social, and historical variables all helped to create jazz. Coltrane's extended solos, after all, are as much a product of the civil rights struggle and invention of the long play (LP) record as they were about Coltrane's upbringing and his legendary quartet. Bebop owes as much to the musician's union's strike (barring members from recording for two years in order to petition for royalties for recorded music) as it does to the pioneering vision of artists like Dizzy Gillespie.
So, Why Jazz Happened is a history of jazz, yes; but it is as much a history about American culture told through the story of jazz. West Coast jazz (a favorite of mine), for instance, is largely 'explained' (though Marc Myers is no reductionist) by the housing boom in post-WWII West Coast and the fact that many touring musicians decided to settle there, developing a laid back sound to match the laid back weather and atmosphere. Spiritual jazz (from Coltrane's "A Love Supreme" to Rollins's "Freedom Suite") is argued to be largely an outgrowth of black musicians' disappointment with legal and cultural segregation, and the lack of progress toward equality; many black artists increasingly wrote spiritual-influenced jazz expressing their anger at the present and hope toward the future. Soul jazz (from Lou Donaldson to Grant Green) is seen as jazz musicians' and record labels' attempts to get R&B record buyers to come back and buy jazz records. I hope I am not making Myers's explanations sound too simplistic; his story makes use of an impressive array of primary and secondary sources including interviews with the musicians (and 'behind the secenes' folks like record executives) working at the times in question.
If I have one complaint, it is that the book goes off in many different directions, sometimes, feeling a bit long winded. The chapter on West Coast jazz, for instance, gokes on for 20 or so pages on the ins and outs of Los Angeles's post-WWII booming housing market and the urban planning involved in dealing with the sprawl. Sections like these (another is an in-depth story of the creation of the LP record) are interesting for 10 or so pages, but the reader can get a bit bogged down in these details. (I suspect that during these times, most readers will be saying "let's get to the jazz part." I know I was.)
But all in all, I kept reading. The book was very interesting, particularly because it was both about jazz and the cultural surroundings that advertently and inadvertently shaped it. I know I will never listen to some of my favorites the same way again. Now, these favorites will come a bit more to life. And I think that is a good thing.
3 of 3 people found the following review helpful.
Why The Music Industry Happened!
By BookHimDan
Marc Myers is the kind of Jazz writer who never rests for a minute. He writes a daily blog called jazzwax (dot com) which is full of engaging interviews, opinions and recommendations about the music he so clearly knows and loves.
I believe the true audience for this book is much wider than just those interested in the history of Jazz. The book actually covers social and economic topics such as the advent of the LP and 45rpm records and the business rivalries that led to the emergence of pop, rock and even classical music as an at-home-entertainment industry. This book is probably just as important as an MBA case study as it is to the history of Jazz. Myers' coverage of the GI Bill and how it led to a generation of "schooled" musicians is another interesting social and political phenomenon that is of general interest, and helps explain why there is such a proliferation of music majors even today.
I don't mean in any way to diminish the importance of this book as a history of Jazz. My point is that it is much wider in scope. Myers set out to explain why Jazz happened, and he ended up explaining why the music industry as a whole happened, and the central role America has played in its evolution. A must-read for all music lovers.
2 of 2 people found the following review helpful.
Riveting account of how American history shaped Jazz and vice versa
By Tony Hymes
Marc Myers' background in history is immediately apparent as "Why Jazz Happened" chronicles the last century in intimate detail. From the cultural, political, social, and personal influences that impressed themselves on the ever-changing genres of swing, big band, bebop and "jass," this book will heighten readers' appreciation for one of the most American types of music. Highly recommended to anyone with even the slightest interest in Jazz, after the introduction and first chapter you will be hooked, and you just might become a Jazz fan for life. Good tip: cue up different tracks to listen to (from YouTube, Whyd, etc) that Myers mentions while you read along. You can actually see the progression of the artists and the music itself.
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