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The Musical Legacy of Wartime France (California Studies in 20th-Century Music), by Leslie A. Sprout
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For the three forces competing for political authority in France during World War II, music became the site of a cultural battle that reflected the war itself. German occupying authorities promoted German music at the expense of French, while the Vichy administration pursued projects of national renewal through culture. Meanwhile, Resistance networks gradually formed to combat German propaganda while eyeing Vichy’s efforts with suspicion. In The Musical Legacy of Wartime France, Leslie A. Sprout explores how each of these forces influenced the composition, performance, and reception of five well-known works: the secret Resistance songs of Francis Poulenc and those of Arthur Honegger; Olivier Messiaen’s Quartet for the End of Time, composed in a German prisoner of war camp; Maurice Duruflé’s Requiem, one of sixty-five pieces commissioned by Vichy between 1940 and 1944; and Igor Stravinsky’s Danses concertantes, which was met at its 1945 Paris premiere with protests that prefigured the aesthetic debates of the early Cold War. Sprout examines not only how these pieces were created and disseminated during and just after the war, but also how and why we still associate these pieces with the stories we tell—in textbooks, program notes, liner notes, historical monographs, and biographies—about music, France, and World War II.
- Sales Rank: #2703721 in Books
- Published on: 2013-05-25
- Original language: English
- Number of items: 1
- Dimensions: 9.10" h x 1.00" w x 6.10" l, 1.19 pounds
- Binding: Hardcover
- 304 pages
Review
."..The depths of [Sprout's] knowledge and research show in her nuanced treatment of the subject. Summing Up: Recommended."--D.A. Wells"CHOICE Magazine" (01/01/2014)
..".The depths of [Sprout's] knowledge and research show in her nuanced treatment of the subject.Summing Up: Recommended."--D.A. Wells"CHOICE Magazine" (01/01/2014)"
From the Inside Flap
"Sprout’s book addresses a singular – and singularly compelling – period in modern French history, and does so with a remarkable degree of insight and nuance. It is bound to make an important contribution to twentieth-century music history."—Eric Drott, author of Music and Elusive Revolution
“Leslie A. Sprout has written a sophisticated and nuanced book about the complex realities of French culture under Nazi rule, and the relationships between music and politics. It is also an original and successful attempt to describe how the first representations of postwar times created long-lasting misconceptions on the past. Far from opposing history and memory, this book provides a comprehensive analysis of both historical realities and historical legends.”—Henry Rousso, Institut d’histoire du temps présent (Centre national de la recherche scientifique, Paris)
About the Author
Leslie A. Sprout is Associate Professor of Music at Drew University.
Most helpful customer reviews
1 of 1 people found the following review helpful.
A must read
By Albertine Proust
This is truly a fascinating book!One which will truly count.Leslie Sprout is brilliant, and you don't have I guess to be a musician or a musicologist to love this book as her brilliant way to analyse history, politics, secrets, compromissions and, here and there, legends, is clever.One of the very bestbooks I've read on all the subjects it embraces,I strongly recommand it.
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