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Go West, Young Women!: The Rise of Early Hollywood, by Hilary Hallett
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In the early part of the twentieth century, migrants made their way from rural homes to cities in record numbers and many traveled west. Los Angeles became a destination. Women flocked to the growing town to join the film industry as workers and spectators, creating a New Woman.” Their efforts transformed filmmaking from a marginal business to a cosmopolitan, glamorous, and bohemian one. By 1920, Los Angeles had become the only western city where women outnumbered men. In Go West, Young Women, Hilary A. Hallett explores these relatively unknown new western women and their role in the development of Los Angeles and the nascent film industry. From Mary Pickford’s rise to become perhaps the most powerful woman of her age, to the racist moral panics of the postWorld War I years that culminated in Hollywood’s first sex scandal, Hallett describes how the path through early Hollywood presaged the struggles over modern gender roles that animated the century to come.
- Sales Rank: #1515252 in Books
- Published on: 2013-01-15
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .80" w x 6.00" l, .90 pounds
- Binding: Paperback
- 326 pages
Review
"Don't miss Go West, Young Women!"--"The Huffington Post"
"A lively look at Hollywood's past, when the movies were still in their infancy, and at the women who were a critical part of it. . . . Highly recommended."--G. A. Foster"Choice" (04/19/2013)
A lively look at Hollywood s past, when the movies were still in their infancy, and at the women who were a critical part of it. . . . Highly recommended. --G. A. Foster"Choice" (04/19/2013)"
From the Inside Flap
"An outstanding and well-researched work, Go West, Young Women! adds a fresh interpretive framework to the study of women in early Hollywood. Each chapter is a jewel; Hilary A. Hallett's lively writing is perfectly matched to her unique re-reading of the female role in early cinema." Lary May, Morse Alumni Distinguished Teaching Professor at the University of Minnesota, Twin Cities
Here is a surprising look at a great westward migrationthe steady stream of star-struck and hard-working young women who followed the movie industry into Southern California. Hilary A. Hallett’s smart book changes our thinking about the writers, directors, producers, designers, artists, and actresses who shook off old conventions, created Hollywood, and ushered in the twentieth century." Ann Fabian, author of The Skull Collectors: Race, Science and America's Unburied Dead
An outstanding and path-breaking work of scholarship that re-reads the role of women in Hollywood as part of broader U.S. social and cultural history. This work is exemplary of the historian’s art: to go deeply and broadly into primary sources, original documents, and ephemeral materials in order to paint a fresh picture and tell a different story.” Robert Sklar, author of Movie-Made America: A Cultural History of American Movies
Hilary A. Hallet provides an exceptional history of women in early Hollywood, moving them once and for all from the margins to the center. Engagingly written and meticulously researched, Go West, Young Women! is essential reading for anyone interested in the beginnings of the American movie industry, celebrity culture, and histories of women in the western US.” Shelley Stamp, author of Movie-Struck Girls: Women and Motion Picture Culture after the Nickelodeon
"Bold and fresh, Hilary Hallett’s study demonstrates that the history of women, female sexuality, and mass culture is not a closed case. Important as the first feminist examination of the 1921 Fatty Arbuckle scandal, this book radically revises ideas of the post-World War I Hollywood industry as well as cultural histories of the time. By looking at the underside of the 1920s in a way never dared before, Hallett further reconfigures our understanding of motion picture censorship in the 1930s." Jane M. Gaines, Professor of Film, Columbia University
Hilary Hallett vividly captures the magnetic appeal of Hollywood for the many young women in the early film industry. With a knack for translating theoretical issues into memorable practical form, Hallett offers colorful stories and reconstructs the cultural history of an industry experiencing incredible upheaval and growth. Early Hollywood will never look the same again.” Jackson Lears, author of Rebirth of a Nation: The Making of Modern America, 18771920
About the Author
Hilary Hallett is Assistant Professor of History at Columbia University.
Most helpful customer reviews
10 of 12 people found the following review helpful.
Worthy addition to the film and women's history bookshelves
By Catmommie
In Go West, Young Women! Hilary A. Hallett takes a closer look at the women who migrated to Los Angeles in the teens and twenties to work in the early film industry, and the women who consumed the increasingly glamorous products the industry created for them. Hallett makes excellent use of business, labor, and demographics statistics to show that nearly 75% of Hollywood's product was made for women, and nearly all film secondary industries, such as fan magazines, were aimed at the female consumer. Women were employed in the film industry in larger numbers and at higher wages than were the norm in other industries, from the storied female producers, directors, and actresses such as Mary Pickford, Clara Kimball Young, and Norma Talmadge, to women working behind the scenes as editors, writers, designers, and in other capacities.
Hallett also examines the bipolar social attitudes toward these New Women--attitudes that are still thick on the ground today--from the positive views of Pickford, Talmadge, Pearl White, and others, to the overwhelmingly negative views of the woman at the center of Hollywood's first sex scandal, Virginia Rappe. Hallett again makes excellent use of primary source materials from the Arbuckle-Rappe scandal to pointedly criticize the view of Rappe as a disease-ridden trollop who deserved what she got. This reviewer has no problem with that.
Now for the quibble section of the review: although Hallett is correct in her depiction of the contemporary and current spin on the scandal, she does make factual mistakes about Virginia Rappe and other people involved in the scandal that, while not germane to her thesis, were careless and easily avoided. Hallett is also far more diplomatic than I'd be, burying this critical statement in a note instead of in the first chapter:
"I found no transcript for any of the following three trials. The first biography interested in clearing the comedian's name was David Yallop's. Yallop claims to have obtained copies of the transcripts, but in comparing his use to the one in my possession, I found that he misrepresents the dialogue. Two other popular biographies display similar tendencies: Andy Edmonds's...Stuart Oderman's...[Robert] Young also presents a similar portrait of Rappe, relying on Yallop whom he otherwise criticizes, and on an oral history by Arbuckle's wife. When I asked Young about the evidence he used for his portrait of Rappe, his reply demonstrated his absorption of such assumptions himself."
Although the book is dense and information rich, it's engagingly written; thankfully Hallett has eschewed academese. Go West, Young Women! is a welcome addition to the film and women's history bookshelves.
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