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A House Divided: American Art since 1955, by Anne M. Wagner
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In this exhilarating book, Anne Middleton Wagner challenges readers to rethink the work of a range of post-World War II artists—Jasper Johns, Andy Warhol, Maya Lin, Bruce Nauman, and Agnes Martin among them—and thus to re-assess the relationship of art to politics and social life. The art of U.S. empire, she argues, is marked by deep dividedness. Painters and sculptors seemed entranced by American symbols, yet used them to enigmatic ends—exuberant, nightmarish, or both. Nor could postwar culture decide if it preserved sites devoted to productive withdrawal—for artists, the special zone called the studio—or simply maintained a margin where numbed subjects rehearsed the rites of vanished self-expression. This book charts the to-and-fro in recent American art between acknowledging the facts of nation and consumerism, and searching for meaningful models. And it shows that this process engages—even structures—national history and the citizen’s self.
- Sales Rank: #745449 in Books
- Published on: 2012-02-14
- Original language: English
- Number of items: 1
- Dimensions: 8.00" h x .70" w x 6.00" l, 1.23 pounds
- Binding: Paperback
- 304 pages
Review
"The latter decades of the twentieth century were exciting, tumultuous years for the American art scene. . . . Anne Middleton Wagner captures a great deal of this tension and excitement in these pieces."--"Zeteo (Cuny)"
"I found myself reading certain passages aloud, reveling in their conversational pace and cadence, their gentle wordplays and puns."--"Times Higher Education"
From the Inside Flap
“In this much-needed and courageous book, Anne Wagner lays down a gauntlet to all those interested in modern and contemporary art: to think anew about these works by canonic artists, and about the relationship of art to recent history and politics. Wagner presents an exhilarating and innovative set of closely worked historical arguments that are remarkably timely, and her lucid prose makes complex ideas and critical debates accessible to a broad audience.”—Briony Fer, Professor of History of Art, UCL
“In A House Divided, Anne Wagner takes on the so-called post-war era in American art and asks searching questions about what that term might mean now, amid cultural division and perpetual war. Far more than a sum of its parts, this collection of essays is essential reading on American artists' ‘post-war’ responses to nationalism, state violence, and the 1960s.”—Mignon Nixon, author of Fantastic Reality: Louise Bourgeois and a Story of Modern Art
About the Author
Anne Middleton Wagner is Class of 1936 Chair of Modern and Contemporary Art at the University of California, Berkeley and Henry Moore Foundation Research Curator at the Tate. She is the author of Mother Stone: The Vitality of Modern British Sculpture and Three Artists (Three Women): Modernism and the Art of Hesse, Krasner, and O’Keeffe (UC Press) among other books.
Most helpful customer reviews
2 of 2 people found the following review helpful.
An indispensable investigation of post-war American art
By Anthony G.
Anne Wagner is one of our most thoughtful and innovative art historians, and this book collects the essays she has written on post-war American Art. It is an indispensable resource for anyone interested in this period, and a fascinating read for people who are curious about art and art history more generally. Wagner is unsurpassed in her willingness to look closely and critically at artworks, and she has been instrumental in expanding both art history's canon and its theoretical perspectives. The proof is in the pudding: I assign essays by Wagner almost every semester, and they are consistently among the texts that students find most exciting and provocative. Highly recommended.
2 of 2 people found the following review helpful.
An art historical touchstone
By ArtHistoryTeacher
This beautiful, accessible book of short, intense essays will be a reference point for thinking about post-1945 art practice from now on. Much of the writing in the book represents the brilliant lectures Wagner gave during her twenty years as a professor at UC Berkeley. No one links the material particulars of art objects to their historical contexts with quite the same sharp empathy. Art lovers far from California can now find out what they've been missing.
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